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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1633 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    398 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Couple in an Evening Shower, From the se"12 records

Institutions answered newest-first by record, interleaved

Cantle Plate by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate

Unrecorded maker

ca. 1550–60 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Relief Block with Coat of Arms of Cholula by an unrecorded maker, The Metropolitan Museum of Art

Relief Block with Coat of Arms of Cholula

Unrecorded maker

early 16th century · Stone, traces of stucco

Cleared · Public Domain

live
The MetSimilar
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma' by Remondini, The Metropolitan Museum of Art

Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'

Remondini (d. 1860)

ca. 1770–1800 · Engraving with hand coloring

Cleared · Public Domain

live
The MetSimilar
Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World by Kitagawa Utamaro, The Metropolitan Museum of Art

Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World

Kitagawa Utamaro (d. 1806)

ca. 1800 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Enjoying the Evening Cool under a Gourd Trellis by Utagawa Toyohiro, The Metropolitan Museum of Art

Enjoying the Evening Cool under a Gourd Trellis

Utagawa Toyohiro (d. 1828)

early 19th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior View of the Floating Church of Our Saviour for Seamen, New York

George Endicott, New York (d. 1848)

1844 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cottage Dooryard – Evening

Frances Flora Bond Palmer (d. 1876)

1855 · Hand-colored lithograph with gum

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Farm Yard – Evening

Frances Flora Bond Palmer (d. 1876)

1857 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Life in the Country – Evening

Frances Flora Bond Palmer (d. 1876)

1862 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. and Mrs. I. N. Phelps Stokes

John Singer Sargent (d. 1925)

1897 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Le Bal"

Paul Poiret (d. 1944)

1924 · a, b) silk, glass, leather

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Poster celebrating the allied victory at the end of World War II

Alfredo Zalce (d. 2003)

1945 · Linocut and letterpress printed in black and orange, backed with linen

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.