
Cantle Plate
Unrecorded maker
ca. 1550–60 · Steel, gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1633 ms. The Metropolitan Museum of Art, Collection API (Open Access)
398 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cantle Plate
Unrecorded maker
ca. 1550–60 · Steel, gold
Cleared · Public Domain
live
Relief Block with Coat of Arms of Cholula
Unrecorded maker
early 16th century · Stone, traces of stucco
Cleared · Public Domain
live
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini (d. 1860)
ca. 1770–1800 · Engraving with hand coloring
Cleared · Public Domain
live
Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World
Kitagawa Utamaro (d. 1806)
ca. 1800 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Enjoying the Evening Cool under a Gourd Trellis
Utagawa Toyohiro (d. 1828)
early 19th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cottage Dooryard – Evening
Frances Flora Bond Palmer (d. 1876)
1855 · Hand-colored lithograph with gum
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
American Farm Yard – Evening
Frances Flora Bond Palmer (d. 1876)
1857 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Life in the Country – Evening
Frances Flora Bond Palmer (d. 1876)
1862 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mr. and Mrs. I. N. Phelps Stokes
John Singer Sargent (d. 1925)
1897 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Le Bal"
Paul Poiret (d. 1944)
1924 · a, b) silk, glass, leather
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Poster celebrating the allied victory at the end of World War II
Alfredo Zalce (d. 2003)
1945 · Linocut and letterpress printed in black and orange, backed with linen
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.