
Bottle, Skeletal Couple with Child
Unrecorded maker
3rd–7th century · Ceramic, slip, pigment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
252 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 107 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bottle, Skeletal Couple with Child
Unrecorded maker
3rd–7th century · Ceramic, slip, pigment
Cleared · Public Domain
live
A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin
Giovanni Francesco Melzi (d. 1570)
1491/93–1570 · Pen and brown ink
Cleared · Public Domain
live
Plate 18, from "World in Miniature"
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
live
Flower Basket (Hanakago) in the Shape of a Flower
Unrecorded maker
mid-19th century · Bamboo, rattan
Cleared · Public Domain
live
Lunch in the Countryside
Marie Bracquemond (d. 1916)
1881 · Graphite, charcoal, and red chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Race Ground (from An Excursion to Brighthelmstone, made in the year 1789)
Thomas Rowlandson (d. 1827)
1790 · Etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Three scenes from festivals of the twelve months
Unidentified artist
late 18th–early 19th century · Three framed panels; ink and color on silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Staten Island and the Narrows, From Fort Hamilton, New York
Frances Flora Bond Palmer (d. 1876)
1861 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Narrows – New York Bay From Staten Island
Currier & Ives (d. 1907)
1857–71 · Hand colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 3
Charles Haslewood Shannon (d. 1937)
1893 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Couple in the Grass, from "Daphnis and Chloe" by Longus
Pierre Bonnard (d. 1947)
1902 · Lithograph; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door lock with couple
Dogon blacksmith
19th–early 20th century · Wood, metal pins
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.