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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    292 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Court Lady Beneath an Old Plum Tree; Two"12 records

Institutions answered newest-first by record, interleaved

The Tale of Genji by Iwasa school, The Metropolitan Museum of Art

The Tale of Genji

Iwasa school

late 17th–early 18th century · Pair of six-panel screens: ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Tureen and stand by Bernhard Heinrich Weyhe, The Metropolitan Museum of Art

Tureen and stand

Bernhard Heinrich Weyhe (d. 1782)

1769–71 · Silver, silver gilt

Cleared · Public Domain

live
The MetSimilar
Prince and Ladies in a Garden by Nidha Mal, The Metropolitan Museum of Art

Prince and Ladies in a Garden

Nidha Mal (d. 1799)

mid-18th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Sampler by Rebekah S. Munro, The Metropolitan Museum of Art

Sampler

Rebekah S. Munro (d. 1803)

ca. 1791 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Court Lady Beneath an Old Plum Tree; Two Lacquer Cabinets for the Shell-matching Game by Kubo Shunman, The Metropolitan Museum of Art

Court Lady Beneath an Old Plum Tree; Two Lacquer Cabinets for the Shell-matching Game

Kubo Shunman (d. 1820)

1793 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Seated Courtier with Two Court Ladies by Plum and Pine by Kubo Shunman, The Metropolitan Museum of Art

Seated Courtier with Two Court Ladies by Plum and Pine

Kubo Shunman (d. 1820)

1796 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Defrauding the Customs, or Shipping the Goods Not Fairly Entered by Thomas Rowlandson, The Metropolitan Museum of Art

Defrauding the Customs, or Shipping the Goods Not Fairly Entered

Thomas Rowlandson (d. 1827)

March 1, 1815 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Suijin Temple Grove, Uchikawa, and the Village of Sekiya by Utagawa Hiroshige, The Metropolitan Museum of Art

The Suijin Temple Grove, Uchikawa, and the Village of Sekiya

Utagawa Hiroshige (d. 1858)

8th month 1857 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Recueil de Paysages par Sandby

Paul Sandby (d. 1809)

1750–65 (or later) · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Memorial to Metcalf and Samuel Bowler

Amy Harris Bowler (d. 1870)

ca. 1800 · Silk and chenille embroidery on silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.