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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    381 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 3,238 matching records exist across the two collections.

Results for "Court Room Scene"12 records

Institutions answered newest-first by record, interleaved

Relief Fragments Depicting a Court Scene by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragments Depicting a Court Scene

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night by Shravana, The Cleveland Museum of Art

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

Shravana (d. 1600)

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Court Yards (Sketch for Stage Scene?) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Court Yards (Sketch for Stage Scene?)

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey) by an unrecorded maker, The Cleveland Museum of Art

Queen Kaikeyi reminds King Dasharatha about the sacrifices of King Bali and King Shivi, folio 39 from the Ayodhya Kanda (Book of Ayodhya) of a Ramayana (Rama's Journey)

Unrecorded maker

c. 1710 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Triumph of Ceres by Suzanne de Court, The Metropolitan Museum of Art

Triumph of Ceres

Suzanne de Court (d. 1625)

probably late 16th–early 17th century · Painted enamel, partly gilt and partly silvered, on copper

Cleared · Public Domain

live
The MetSimilar
Music and Dance and Cupids in Conspiracy by François Boucher, The Cleveland Museum of Art

Music and Dance and Cupids in Conspiracy

François Boucher (d. 1770)

1740s · Painting, oil on canvas

Cleared · CC0

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Cleveland Museum of ArtSimilar
Chimneypiece from the Tapestry Room from Croome Court by Joseph Wilton, The Metropolitan Museum of Art

Chimneypiece from the Tapestry Room from Croome Court

Joseph Wilton (d. 1803)

1760 · Marble, lapis lazuli

Cleared · Public Domain

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The MetSimilar
Cupids in Conspiracy by François Boucher, The Cleveland Museum of Art

Cupids in Conspiracy

François Boucher (d. 1770)

1740s · Painting, oil on canvas

Cleared · CC0

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Cleveland Museum of ArtSimilar
Tapestry Room from Croome Court by Robert Adam, The Metropolitan Museum of Art

Tapestry Room from Croome Court

Robert Adam (d. 1792)

1763–71 · Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)

Cleared · Public Domain

live
The MetSimilar
Music and Dance by François Boucher, The Cleveland Museum of Art

Music and Dance

François Boucher (d. 1770)

1740s · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woodwork and ceiling from the Tapestry Room from Croome Court by Robert Adam, The Metropolitan Museum of Art

Woodwork and ceiling from the Tapestry Room from Croome Court

Robert Adam (d. 1792)

ca. 1760–69 · Plaster, wood, tapestry

Cleared · Public Domain

live
The MetSimilar
The Yellow Room by James McNeill Whistler, The Metropolitan Museum of Art

The Yellow Room

James McNeill Whistler (d. 1903)

ca. 1883–84 · Watercolor and gouache on paperboard

Cleared · Public Domain

live
The MetSimilar

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