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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    353 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 141 matching records exist across the two collections.

Results for "Court Scene"11 records

Institutions answered newest-first by record, interleaved

Tiered Court Scene by Chitarman II, The Cleveland Museum of Art

Tiered Court Scene

Chitarman II (d. 1750)

c. 1735 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hunting Scene by an unrecorded maker, The Cleveland Museum of Art

Hunting Scene

Unrecorded maker

1800s · Painting, eight-panel folding screen; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso)

Unrecorded maker

c. 1650 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Goddess standing on a mountaintop by Master of the court of Mandi, The Cleveland Museum of Art

Goddess standing on a mountaintop

Master of the court of Mandi

c. 1720 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Harem night-bathing scene, from the Late Shah Jahan Album (recto) by an unrecorded maker, The Cleveland Museum of Art

Harem night-bathing scene, from the Late Shah Jahan Album (recto)

Unrecorded maker

c. 1653 · Painting, Gum tempera, gold, and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Night by an unrecorded maker, The Cleveland Museum of Art

The court jester meets a Zangi dancing with joy, and learns from him that the cause of his happiness is his assignation with a woman who is the jester’s own wife, from a Tuti-nama (Tales of a Parrot): Twenty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Scene from the Tale of the Wisteria Robe by an unrecorded maker, The Cleveland Museum of Art

Scene from the Tale of the Wisteria Robe

Unrecorded maker

1400s · Painting, section of a handscroll mounted as a hanging scroll; ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504) by an unrecorded maker, The Cleveland Museum of Art

A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)

Unrecorded maker

c. 1610 · Painting, Gum tempera on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night by an unrecorded maker, The Cleveland Museum of Art

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night by an unrecorded maker, The Cleveland Museum of Art

As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Luster Bowl with Antelope by an unrecorded maker, The Cleveland Museum of Art

Luster Bowl with Antelope

Unrecorded maker

1000s · Ceramic, earthenware with luster-painted design

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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