
Mirror-bearer
Maya artist(s)
410–650 CE · Cordia wood (bocote), red hematite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
483 ms. The Metropolitan Museum of Art, Collection API (Open Access)
426 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mirror-bearer
Maya artist(s)
410–650 CE · Cordia wood (bocote), red hematite
Cleared · Public Domain
live
Double-chambered bottle with mouse
Recuay artist(s)
200–700 CE · Ceramic, slip
Cleared · Public Domain
live
Vessel with mythological scene
Metropolitan Painter (d. 800)
600–800 CE · Ceramic, slip
Cleared · Public Domain
live
Palma with textile motif
Classic Veracruz artist(s)
800–1100 CE · Stone, pigment
Cleared · Public Domain
live
Tunic with Diamond Band
Unrecorded maker
1460–1540 · Camelid hair, cotton
Cleared · Public Domain
live
Table clock with calendar
Lucien Falize (d. 1897)
1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel
Cleared · Public Domain
live
Cover for 'La Cubicubianita Cuento', a figure wearing a feathered hat leaning on a windowsill and talking to another woman
José Guadalupe Posada (d. 1913)
ca. 1890–1910 · Zincograph and letterpress printed on purple paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The puppeteeer Francisca Pulido Cuevas, from "Titeres Populares Mexicanos" (Mexican popular puppets)
Lola Cueto (d. 1978)
1943 · Etching and aquatint, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A pre-hispanic articulated doll, from "Titeres Populares Mexicanos" (Mexican popular puppets)
Lola Cueto (d. 1978)
1946 · Aquatint, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Títeres Populares Mexicanos (Mexican popular puppets)
Lola Cueto (d. 1978)
1947 · Letterpress; etching, aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.