
Nine Feathered Panels
Unrecorded maker
600–900 CE · Feathers on cotton, camelid hair
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
282 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Nine Feathered Panels
Unrecorded maker
600–900 CE · Feathers on cotton, camelid hair
Cleared · Public Domain
live
Feathered Tunic
Chimú artist(s)
1200 – 1400 CE · Cotton, feathers
Cleared · Public Domain
live
Cover for 'La Paloma Azul : Coleccion de Canciones Modernas Para 1901', two couples dancing while a dove flies in between them
José Guadalupe Posada (d. 1913)
ca. 1901 · Type-metal engraving and letterpress in red and black on tan paper
Cleared · Public Domain
live
Cover for 'La Rumba: Coleccion de Canciones Modernas para el Presente Año 1903', a conductor and a drummer performing on stage for an audience
José Guadalupe Posada (d. 1913)
ca. 1903 · Chiaroscuro engraving and letterpress printed in red and black on tan paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panoramic view of Puebla, from "Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República"
Debray Sucs (d. 1950)
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panoramic view of Toluca, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
C. Castro
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The School of Mines, Mexico City, from the Torre de San Francisco, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
A. Gallice (d. 1890)
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of Neptune's fountain in Santiago de Querétaro, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
J. Alvarez
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Alameda Park in Mexico City, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
A. Gallice (d. 1890)
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the aqueduct of Querétaro (Santiago de Querétaro), from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
C. Castro
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the central garden in Santiago de Querétaro, from the 'Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República'
M. Mohar
1850 · Chromolithograph and letterpress
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Plazuela de Guardiola, Mexico City, from "Album Mexicano. Colección de paisajes, monumentos y ciudades principales de la República"
A. Gallice (d. 1890)
1850 · Chromolithograph and letterpress
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.