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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    409 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23,063 matching records exist across the two collections.

Results for "Cover of a Censer"12 records

Institutions answered newest-first by record, interleaved

Censer by an unrecorded maker, The Metropolitan Museum of Art

Censer

Unrecorded maker

525–343 BCE · Leaded bronze

Cleared · Public Domain

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The MetSimilar
A Censer by Martin Schongauer, The Cleveland Museum of Art

A Censer

Martin Schongauer (d. 1491)

c. 1480–90 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Censer by an unrecorded maker, The Metropolitan Museum of Art

Censer

Unrecorded maker

6th century · Cast copper alloy

Cleared · Public Domain

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The MetSimilar
Cover of a Censer by Godefridus, The Metropolitan Museum of Art

Cover of a Censer

Godefridus

mid-12th century · Copper alloy, cast, engraved, chased, punched, and gilded

Cleared · Public Domain

live
The MetSimilar
Censer by an unrecorded maker, The Metropolitan Museum of Art

Censer

Unrecorded maker

before 1477 · Silver, raised and cast

Cleared · Public Domain

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The MetSimilar
Censer by an unrecorded maker, The Metropolitan Museum of Art

Censer

Unrecorded maker

1680 · Clay covered with a thin glaze resembling metal (Bizen ware)

Cleared · Public Domain

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The MetSimilar
Censer with cover by an unrecorded maker, The Metropolitan Museum of Art

Censer with cover

Unrecorded maker

1750 · Stoneware covered with thin glaze (Bizen ware)

Cleared · Public Domain

live
The MetSimilar
Censer with cover by an unrecorded maker, The Metropolitan Museum of Art

Censer with cover

Unrecorded maker

1750 · Porcelain decorated with colored enamels (Arita ware, Imari type)

Cleared · Public Domain

live
The MetSimilar
Censer with cover by an unrecorded maker, The Metropolitan Museum of Art

Censer with cover

Unrecorded maker

1750 · Stoneware covered with flecked glaze (Bizen ware)

Cleared · Public Domain

live
The MetSimilar
Censer with cover by an unrecorded maker, The Metropolitan Museum of Art

Censer with cover

Unrecorded maker

1750 · Stoneware covered with glaze (Bizen ware)

Cleared · Public Domain

live
The MetSimilar
Censer and cover by an unrecorded maker, The Metropolitan Museum of Art

Censer and cover

Unrecorded maker

1800 · Porcelain decorated with enamels; silver lid (Arita ware, Imari type)

Cleared · Public Domain

live
The MetSimilar
Censer with cover by an unrecorded maker, The Metropolitan Museum of Art

Censer with cover

Unrecorded maker

1800 · Faience with designs in relief (Raku ware)

Cleared · Public Domain

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.