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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 60 matching records exist across the two collections.

Results for "Cover of the Album: Some Aspects of Pari"12 records

Institutions answered newest-first by record, interleaved

Cup with cover by an unrecorded maker, The Metropolitan Museum of Art

Cup with cover

Unrecorded maker

ca. 1560–70 · Rock crystal, partly gilded silver mounts

Cleared · Public Domain

live
The MetSimilar
Piazza San Marco, Looking toward the Church of San Gemignano by Giacomo Guardi, The Metropolitan Museum of Art

Piazza San Marco, Looking toward the Church of San Gemignano

Giacomo Guardi (d. 1835)

ca. 1804–28 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta by Giacomo Guardi, The Metropolitan Museum of Art

The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta

Giacomo Guardi (d. 1835)

ca. 1804–28 · Pen and brown ink, gray wash

Cleared · Public Domain

live
The MetSimilar
Photo Views Taken in India, S Martin, Calcutta, 1888 by an unrecorded maker, The Metropolitan Museum of Art

Photo Views Taken in India, S Martin, Calcutta, 1888

Unrecorded maker

dated 1888 · Albumen silver prints

Cleared · Public Domain

live
The MetSimilar
Bombay, Bangalore, Venice, etc. by an unrecorded maker, The Metropolitan Museum of Art

Bombay, Bangalore, Venice, etc.

Unrecorded maker

19th century · Albumen silver prints

Cleared · Public Domain

live
The MetSimilar
Page of a Pilgrim’s Visiting Album by an unrecorded maker, The Metropolitan Museum of Art

Page of a Pilgrim’s Visiting Album

Unrecorded maker

late 18th–19th century · Album page; ink, color, and gold on paper, textile cover

Cleared · Public Domain

live
The MetSimilar
Page of a Pilgrim’s Visiting Album by an unrecorded maker, The Metropolitan Museum of Art

Page of a Pilgrim’s Visiting Album

Unrecorded maker

late 18th–19th century · Album page; ink, color, and gold on paper, textile cover

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Types of the Indian Army, Illustrating the Races Enlisted in the Bengal, Punjab, Madras and Bombay Armies. F Brenmner, Quetta, June 1897.

Unrecorded maker

dated June 1897 · Albumen silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cover of the Album: Some Aspects of Parisian Life

Pierre Bonnard (d. 1947)

ca. 1898 · Lithograph in two colors

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Visit of their Excellencies, the Earl and Countess of Willingdon to Baroda, December 1932

Unrecorded maker

dated December 1932 · Albumen silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Idées 1, Plate 1

Maurice-Jacques-Yvan Camus

ca. 1933 · Pochoir

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Fat Boy (from Side Show)

Peter Blake (d. 9999)

1974–78 · Wood engraving; working proofs

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.