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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    418 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 104 matching records exist across the two collections.

Results for "Cremorne Gardens, No. 2"12 records

Institutions answered newest-first by record, interleaved

Cope by an unrecorded maker, The Metropolitan Museum of Art

Cope

Unrecorded maker

main textile: 1720s; hood textile: mid-17th century · Main textile: silk satin, brocaded, silk and metal-wrapped thread; Hood textile: cloth-of-gold, brocaded, silk and metal-wrapped thread

Cleared · Public Domain

live
The MetSimilar
Chair seat cover by an unrecorded maker, The Metropolitan Museum of Art

Chair seat cover

Unrecorded maker

1725–50 · Cotton, painted resist and mordant, dyed, with overpainting

Cleared · Public Domain

live
The MetSimilar
The Defense of Champigny by Edouard Detaille, The Metropolitan Museum of Art

The Defense of Champigny

Edouard Detaille (d. 1912)

1879 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Cremorne Gardens, No. 2 by James McNeill Whistler, The Metropolitan Museum of Art

Cremorne Gardens, No. 2

James McNeill Whistler (d. 1903)

ca. 1870–80 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of Garden with parterre forming a spiral movement in the central foreground and a house in the background, plate 2, from Perspective views of gardens with parterres

Hans Vredeman de Vries (d. 1606)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Beauties of Stow, or a Description of the Most Noble House, Gardens & Magnificent Buildings therein, of the Right Hon.ble Earl Temple, Viscount & Baron Cobham

George Bickham, Sr. (d. 1758)

1756 · Illustrations: etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cartouche presenting a fountain and gardens (Cartouche representant fontaine et jardinages)

Pierre Edmé Babel (d. 1775)

ca. 1740–60 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Principal Front of the Palace at Kew

Sir William Chambers (d. 1796)

1763 · Pen and ink, brush and wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

2e Suite de différens Attributs, Trophées et Groupes de Fleurs, Plate 2

Pierre Ranson (d. 1786)

ca. 1778 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; first state of two (Harrington); second state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Kensington Gardens, No. 2 (Large Plate)

Sir Francis Seymour Haden (d. 1910)

1860 · Etching and drypoint; second state of two (Harrington); third state of three (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Journal des Dames et des Modes, No. 43 (1 August 1913)

Vaugirard

1913 · plates: hand colored engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.