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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    598 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    412 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 419 matching records exist across the two collections.

Results for "Cross-section of the Temple of Honor, an"12 records

Institutions answered newest-first by record, interleaved

Procession from the Temple of Amun by Charles K. Wilkinson, The Metropolitan Museum of Art

Procession from the Temple of Amun

Charles K. Wilkinson (d. 1986)

1923–1924; original ca. 1290–1224 BCE · Tempera on paper

Cleared · Public Domain

live
The MetSimilar
Fragment with an Arch and a Gemmed Cross by an unrecorded maker, The Metropolitan Museum of Art

Fragment with an Arch and a Gemmed Cross

Unrecorded maker

5th–6th century · Linen, wool

Cleared · Public Domain

live
The MetSimilar
Processional Cross by an unrecorded maker, The Metropolitan Museum of Art

Processional Cross

Unrecorded maker

ca. 1000–1050 · Silver with gilding and gilded silver medallions

Cleared · Public Domain

live
The MetSimilar
Processional Cross by an unrecorded maker, The Metropolitan Museum of Art

Processional Cross

Unrecorded maker

ca. 1150–75 · Silver, gilded silver, and niello repoussé on a wood core with pearls, antique intaglios, semiprecious stones, glass, a sapphire, and a garnet (?)

Cleared · Public Domain

live
The MetSimilar
Cross-Section of Round Temple [Pinaculu Termar], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles" by Lambert Suavius, The Metropolitan Museum of Art

Cross-Section of Round Temple [Pinaculu Termar], from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"

Lambert Suavius (d. 1576)

1554 · Etching

Cleared · Public Domain

live
The MetSimilar
Cross-section and Floorplan of an Indoor Grotto by Gabriel Bodenehr, The Metropolitan Museum of Art

Cross-section and Floorplan of an Indoor Grotto

Gabriel Bodenehr (d. 1800)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Section A: an angel holding a cross at upper left, Adam and Eve below, from "The Triumph of Christ" by Andrea Andreani, The Metropolitan Museum of Art

Section A: an angel holding a cross at upper left, Adam and Eve below, from "The Triumph of Christ"

Andrea Andreani (d. 1629)

1836 · Lithograph copy of a woodcut

Cleared · Public Domain

live
The MetSimilar
Cross-Section of the Temple of Jupiter, Pompeii by Anonymous, French, 19th century, The Metropolitan Museum of Art

Cross-Section of the Temple of Jupiter, Pompeii

Anonymous, French, 19th century (d. 1900)

after 1825 · Pen and black ink, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Coupe interieure d'un ancien Temple, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"

Jean Barbault (d. 1762)

1770 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cross-section of the Temple of Honor, and of Virtue, tavola 6 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of the length of the Temple of Honor, and of Virtue and its Portico, tavola 5 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Section of the portico of the Temple of Honor, and of Virtue, tavola 4 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)

Francesco Piranesi (d. 1810)

ca. 1750–80 · Etching

In copyright

live
The MetSimilar

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