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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    548 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    328 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 504 matching records exist across the two collections.

Results for "Cross-section of the church of Sant'Andr"12 records

Institutions answered newest-first by record, interleaved

Cross-section of the church of Sant'Andrea al Quirinale, Rome, showing lantern, cupola, and altar by Giovanni Francesco Venturini, The Metropolitan Museum of Art

Cross-section of the church of Sant'Andrea al Quirinale, Rome, showing lantern, cupola, and altar

Giovanni Francesco Venturini (d. 1700)

ca. 1658–1700 · Engraving

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Colosseum in Cross-Section by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Colosseum in Cross-Section

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised

Cleared · Public Domain

live
The MetSimilar
Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof by an unrecorded maker, The Metropolitan Museum of Art

Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof

Unrecorded maker

ca. 1650–1725 · Pen and ink (partly over graphite) and colored washes

Cleared · Public Domain

live
The MetSimilar
Plate 2: cross-section of the Hall of the Institute of Bologna by Bartolomeo Crivellari, The Metropolitan Museum of Art

Plate 2: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari (d. 1800)

1756 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 3: cross-section of the Hall of the Institute of Bologna by Bartolomeo Crivellari, The Metropolitan Museum of Art

Plate 3: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari (d. 1800)

1756 · Etching

Cleared · Public Domain

live
The MetSimilar
Cross Section of the Nave of Reims Cathedral, decorated for the Coronation of King Louis XVIII by Charles Percier, The Metropolitan Museum of Art

Cross Section of the Nave of Reims Cathedral, decorated for the Coronation of King Louis XVIII

Charles Percier (d. 1838)

1815 · Pen and black ink, brush and gray, blue, yellow, violet, and rose wash

Cleared · Public Domain

live
The MetSimilar
Cross-Section of the Temple of Jupiter, Pompeii by Anonymous, French, 19th century, The Metropolitan Museum of Art

Cross-Section of the Temple of Jupiter, Pompeii

Anonymous, French, 19th century (d. 1900)

after 1825 · Pen and black ink, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Church of the Holy Cross, New York

George Schlegel, New York (d. 1957)

ca. 1868 · LIthograph with two tint stones

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cross-section of the dome of the Invalides, showing interior decoration

John Gregory Crace (d. 1889)

19th century · Graphite and pen and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sample section for South Reformed Dutch Church, New York

Samuel Yellin (d. 1940)

ca. 1909 · Iron

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Cross Section of a Human Body]

Unknown

1920s · Cyanotype

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Cross, the Church, and the Butterfly

Skunder Boghossian (d. 2003)

1980s · Parchment (vellum), mixed media

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.