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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    55 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    16 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 522 matching records exist across the two collections.

Results for "Cross-section of the dome of the Invalid"12 records

Institutions answered newest-first by record, interleaved

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment) by Niccolò della Casa, The Metropolitan Museum of Art

Angels Carrying the Cross with Saints below (upper left section of the Last Judgment)

Niccolò della Casa (d. 1548)

1548 · Engraving

Cleared · Public Domain

live
The MetSimilar
Half-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso). by Etienne DuPérac, The Metropolitan Museum of Art

Half-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso).

Etienne DuPérac (d. 1604)

1551, 1558–69 · Pen and brown ink, over leadpoint or black chalk.

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Colosseum in Cross-Section by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Colosseum in Cross-Section

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised

Cleared · Public Domain

live
The MetSimilar
Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof by an unrecorded maker, The Metropolitan Museum of Art

Cross Section of a Baroque Church or Chapel with a Bell-shaped Roof

Unrecorded maker

ca. 1650–1725 · Pen and ink (partly over graphite) and colored washes

Cleared · Public Domain

live
The MetSimilar
Plate 2: cross-section of the Hall of the Institute of Bologna by Bartolomeo Crivellari, The Metropolitan Museum of Art

Plate 2: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari (d. 1800)

1756 · Etching

Cleared · Public Domain

live
The MetSimilar
Plate 3: cross-section of the Hall of the Institute of Bologna by Bartolomeo Crivellari, The Metropolitan Museum of Art

Plate 3: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari (d. 1800)

1756 · Etching

Cleared · Public Domain

live
The MetSimilar
Cross Section of the Nave of Reims Cathedral, decorated for the Coronation of King Louis XVIII by Charles Percier, The Metropolitan Museum of Art

Cross Section of the Nave of Reims Cathedral, decorated for the Coronation of King Louis XVIII

Charles Percier (d. 1838)

1815 · Pen and black ink, brush and gray, blue, yellow, violet, and rose wash

Cleared · Public Domain

live
The MetSimilar
Cross-Section of the Temple of Jupiter, Pompeii by Anonymous, French, 19th century, The Metropolitan Museum of Art

Cross-Section of the Temple of Jupiter, Pompeii

Anonymous, French, 19th century (d. 1900)

after 1825 · Pen and black ink, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Scaffolding Erected for the Restoration of the Vault in St. Peter's Basilica: Close-Up of the Dome

Giacomo Sangermano (d. 1773)

ca. 1773 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cross-section of the dome of St. Peter's, showing interior decoration

John Gregory Crace (d. 1889)

19th century · Graphite and pen and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cross-section of the dome of the Invalides, showing interior decoration

John Gregory Crace (d. 1889)

19th century · Graphite and pen and brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Cross Section of a Human Body]

Unknown

1920s · Cyanotype

In copyright

live
The MetSimilar

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