Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    164 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    326 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 56 matching records exist across the two collections.

Results for "Cuneiform cylinder: Ehulhul inscription"12 records

Institutions answered newest-first by record, interleaved

Votive cone with cuneiform inscription of Lipit-Eshtar by an unrecorded maker, The Metropolitan Museum of Art

Votive cone with cuneiform inscription of Lipit-Eshtar

Unrecorded maker

ca. 1934–1924 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform tablet case impressed with four cylinder seals, for cuneiform tablet 66.245.15a: quittance by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform tablet case impressed with four cylinder seals, for cuneiform tablet 66.245.15a: quittance

Unrecorded maker

ca. 20th–19th century BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Sennacherib describing his third campaign by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Sennacherib describing his third campaign

Unrecorded maker

ca. 704–681 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Esarhaddon by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Esarhaddon

Unrecorded maker

ca. 680–669 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Ashurbanipal describing restorations of the city wall and gates at Borsippa by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Ashurbanipal describing restorations of the city wall and gates at Borsippa

Unrecorded maker

ca. 668–627 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder with inscription of Nebuchadnezzar II, describing the rebuilding of Ebabbar, the temple of the sun-god Shamash at Sippar by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder with inscription of Nebuchadnezzar II, describing the rebuilding of Ebabbar, the temple of the sun-god Shamash at Sippar

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Nebuchadnezzar II commemorating the reconstruction of Etemenanki, the ziggurat at Babylon by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nebuchadnezzar II commemorating the reconstruction of Etemenanki, the ziggurat at Babylon

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Nebuchadnezzar II describing restorations at Babylon by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nebuchadnezzar II describing restorations at Babylon

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Nebuchadnezzar II describing the construction of the outer city wall of Babylon by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nebuchadnezzar II describing the construction of the outer city wall of Babylon

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Nebuchadnezzar II describing work done on a wall and moat by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nebuchadnezzar II describing work done on a wall and moat

Unrecorded maker

ca. 604–562 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: Ehulhul inscription of Nabonidus describing his work on three temples by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: Ehulhul inscription of Nabonidus describing his work on three temples

Unrecorded maker

ca. 555–539 BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Cuneiform cylinder: inscription of Nabonidus describing work on Ebabbar, the temple of the sun-god Shamash, at Sippar by an unrecorded maker, The Metropolitan Museum of Art

Cuneiform cylinder: inscription of Nabonidus describing work on Ebabbar, the temple of the sun-god Shamash, at Sippar

Unrecorded maker

ca. 555–539 BCE · Clay

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.