
Cup and saucer (goblet Hebert et soucoupe) (part of a service)
Sèvres Manufactory (d. 9999)
1767 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
423 ms. The Metropolitan Museum of Art, Collection API (Open Access)
303 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cup and saucer (goblet Hebert et soucoupe) (part of a service)
Sèvres Manufactory (d. 9999)
1767 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Cup and saucer (goblet Hebert et soucoupe) (part of a service)
Sèvres Manufactory (d. 9999)
1767 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
live
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix (d. 1863)
1832 · Watercolor over graphite on wove paper
Cleared · Public Domain
live
There's no denying it's me!..., from 'The public at the exhibition,' published in Le Petit Journal pour Rire, June 18, 1864
Honoré Daumier (d. 1879)
June 18, 1864 · Lithograph on newsprint; third state of three (Deltiel)
Cleared · Public Domain
live
Surgical Ward' (Gekashitsu) from Bugei Kurabu (Literary Club)
Mizuno Toshikata (d. 1908)
ca. 1906 · Frontispiece; woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pedestal Table, Glasses, Cups, Mandolin
Pablo Picasso (d. 1973)
Paris, spring 1911 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Still Life with Bottle of Marc (Nature morte à la bouteille de marc)
Pablo Picasso (d. 1973)
1911, published 1912 · Drypoint on laid Arches paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bottle, Glasses, and Newspapers
Georges Braque (d. 1963)
Paris, early 1913 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bottle, Glass, and Newspaper
Georges Braque (d. 1963)
Paris, early 1914 · Cut and pasted found printed newspapers and wallpaper, charcoal, and gesso on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cup, Glasses, and Bottle (Le Journal)
Juan Gris (d. 1927)
Paris, spring–summer 1914 · Conté crayon, gouache, oil, cut-and-pasted newspaper, white laid paper, printed wallpaper (three types), selectively varnished; adhered overall onto a sheet of newspaper, mounted to primed canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bottle
Juan Gris (d. 1927)
Paris, spring–summer 1914 · Conté crayon, wax crayon, gouache, watercolor, cut-and-pasted newspaper, printed wallpaper (two types), white, brown, and tan wove cut papers; adhered overall onto newspaper, mounted to primed canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Playing Cards, Glasses, Bottle of Rum: "Vive la France"
Pablo Picasso (d. 1973)
Avignon, summer 1914 / partially reworked, Paris, 1915 · Oil and sand on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.