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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    413 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Cup Plate"7 records

Institutions answered newest-first by record, interleaved

Covered Cup with Grape Festoon by Antonio Fantuzzi, The Cleveland Museum of Art

Covered Cup with Grape Festoon

Antonio Fantuzzi (d. 1550)

mid-1500s · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Footed Dish (soucoupe à pied) by Sèvres Porcelain Factory, The Cleveland Museum of Art

Footed Dish (soucoupe à pied)

Sèvres Porcelain Factory (d. 1756)

1786 · Ceramic, soft-paste porcelain with enamel and gilt decoration

Cleared · CC0

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Cleveland Museum of ArtSimilar
Plate with Grapes and Floral Sprays by an unrecorded maker, The Cleveland Museum of Art

Plate with Grapes and Floral Sprays

Unrecorded maker

1403–24 · Ceramic, porcelain with underglaze blue decoration

Cleared · CC0

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Cleveland Museum of ArtSimilar
Dish by an unrecorded maker, The Cleveland Museum of Art

Dish

Unrecorded maker

c. 1475–1500 · Ceramic, Tin-glazed earthenware with luster-painted design

Cleared · CC0

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Cleveland Museum of ArtSimilar
Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by an unrecorded maker, The Cleveland Museum of Art

Jesus being portrayed by King Abgar’s painter (folio 143 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Unrecorded maker

1602–4 · Manuscript, Gum tempera, ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Woman with a Letter by Sigmond Freudeberg, The Cleveland Museum of Art

Woman with a Letter

Sigmond Freudeberg (d. 1801)

1750–1800 · Drawing, Watercolor and gouache with point of brushwork

Cleared · CC0

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Cleveland Museum of ArtSimilar
Angels bring food to Jesus in the wilderness (folio 55 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier by Muhammad Sharif, The Cleveland Museum of Art

Angels bring food to Jesus in the wilderness (folio 55 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Muhammad Sharif (d. 1600)

1602–4 · Manuscript, Gum tempera, ink, color, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.