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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Cup with lid"11 records

Institutions answered newest-first by record, interleaved

Cover for a Two-Handled Cup by an unrecorded maker, The Cleveland Museum of Art

Cover for a Two-Handled Cup

Unrecorded maker

1686 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two-Handled Cup by an unrecorded maker, The Cleveland Museum of Art

Two-Handled Cup

Unrecorded maker

1686 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lidded Cup with Strap Handles (lid) by an unrecorded maker, The Cleveland Museum of Art

Lidded Cup with Strap Handles (lid)

Unrecorded maker

300s–400s CE · Ceramic, stoneware with natural ash glaze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cover for a Trophy Cup by Peter Bateman, The Cleveland Museum of Art

Cover for a Trophy Cup

Peter Bateman (d. 1825)

1792–93 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Trophy Cup by Peter Bateman, The Cleveland Museum of Art

Trophy Cup

Peter Bateman (d. 1825)

1792–93 · Silver, silver gilt

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sake Cups with Auspicious Flora by Seifū Yohei II, The Cleveland Museum of Art

Sake Cups with Auspicious Flora

Seifū Yohei II (d. 1878)

1861–78 · Ceramic, Pair of sake cups; porcelain with underglaze blue

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lidded Cup with Strap Handles by an unrecorded maker, The Cleveland Museum of Art

Lidded Cup with Strap Handles

Unrecorded maker

300s–400s CE · Ceramic, stoneware with natural ash glaze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Standing Cup by Virgil Solis, The Cleveland Museum of Art

Standing Cup

Virgil Solis (d. 1562)

mid- to late 1500s · Metalwork, gilt silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Double Cup (Mazer) (lid) by an unrecorded maker, The Cleveland Museum of Art

Double Cup (Mazer) (lid)

Unrecorded maker

c. 1530 · Wood, maple wood with gilt-silver mounts

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lidded Cup with Strap Handles by an unrecorded maker, The Cleveland Museum of Art

Lidded Cup with Strap Handles

Unrecorded maker

300s–400s CE · Ceramic, stoneware with natural ash glaze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cup from Tea Cups with Dragons by Seifū Yohei I, The Cleveland Museum of Art

Cup from Tea Cups with Dragons

Seifū Yohei I (d. 1861)

1840s–57 · Ceramic, One from a set of five tea cups; porcelain with underglaze blue

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.