A painting can be out of copyright and thephotograph of it can still be protected.

Portrait of the Boy Eutyches

Unrecorded maker

100–150 CE · Encaustic on wood

Marble torso of a boy

Unrecorded maker

1st–2nd century CE · Marble

Boy on a shell, holding a candlestick

Unrecorded maker

mid-15th century · Bronze, partially oil-gilt

Cupid holding a candle socket

Unrecorded maker

early 16th century · Bronze, traces of brown lacquer patina; later marble base

Cupid Presenting Psyche to the Gods

Andrea Schiavone (Andrea Meldola) (d. 1563)

ca. 1540–45 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on brown-washed paper

Cupid bearing a quiver and a candle socket

Unrecorded maker

mid-16th century · Bronze

Boy Holding a Sword, Standing near a Table in an Interior (recto); Various Sketches of Figures and Ornamental Forms (verso)

Anonymous, Dutch, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over black chalk (recto); pen and brown ink, black chalk (verso); framing lines in pen and brown ink, by a later hand

Cupid, in the Character of a Link Boy

John Dean (d. 1798)

1777 · Mezzotint; scratched letter proof

Cupid and Minerva

Richard Cosway (d. 1821)

1788 · Pen and brown ink, brush and gray wash, over graphite

Cupid about to fire an arrow

Unrecorded maker

18th or 19th century · Bronze, on a later stone and wood base

The Black Boy

Andrew Geddes (d. 1844)

1826 · Etching and drypoint; third state of three

The Fat Boy (from Side Show)

Peter Blake (d. 9999)

1974–78 · Wood engraving; working proofs