
The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar (d. 1677)
1666 · Etching, second state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
236 ms. The Metropolitan Museum of Art, Collection API (Open Access)
271 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 367 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar (d. 1677)
1666 · Etching, second state of two
Cleared · Public Domain
live
Cupid, in the Character of a Link Boy
John Dean (d. 1798)
1777 · Mezzotint; scratched letter proof
Cleared · Public Domain
live
Study of Cupid (from Sketchbook)
John Quincy Adams Ward (d. 1910)
ca. 1860 · Graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Forester and the Bear (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1662 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fox and the Cat (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Peasant and the Snake (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Tortoise and the Frogs (from John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations," London, 1665)
Wenceslaus Hollar (d. 1677)
1665 · Etching; only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Crab and Its Mother (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar (d. 1677)
1666 · Etching; first or second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Fox and the Porcupine (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar (d. 1677)
1666 · Etching; first or second state of two (print cut and the state cannot be determined)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Satyr and the Sword (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)
Wenceslaus Hollar (d. 1677)
1668 · Etching; first or second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cupid and Death (from John Ogilby, "The Fables of Aesop," 1673)
Wenceslaus Hollar (d. 1677)
1673 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mannequin Death
John Miller (d. 9999)
2016 · Single-channel digital video, color, sound, 3 min., 13 sec.
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.