Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    415 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Cutter Yacht "Maria" – Modelled by R. E."9 records

Institutions answered newest-first by record, interleaved

Ballplayer by Tlapacoya artist(s), The Metropolitan Museum of Art

Ballplayer

Tlapacoya artist(s)

1200–1000 BCE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Standing ballplayer by Ameca-Etzatlán artist(s), The Metropolitan Museum of Art

Standing ballplayer

Ameca-Etzatlán artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Yoke-form vessel by Maya artist(s), The Metropolitan Museum of Art

Yoke-form vessel

Maya artist(s)

350–450 CE · Ceramic, red pigment (possibly cinnabar)

Cleared · Public Domain

live
The MetSimilar
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi) by Lo Spagna (Giovanni di Pietro), The Metropolitan Museum of Art

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)

Lo Spagna (Giovanni di Pietro) (d. 1528)

1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

live
The MetSimilar
Cutter Yacht "Scud" of Philadelphia – Modelled by Robert L. Stevens, Esq. by Charles Parsons, The Metropolitan Museum of Art

Cutter Yacht "Scud" of Philadelphia – Modelled by Robert L. Stevens, Esq.

Charles Parsons (d. 1910)

1855 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
The crucified Christ by Antonio Susini, The Metropolitan Museum of Art

The crucified Christ

Antonio Susini (d. 1624)

Model: early 17th century; cast: 18th or 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cutter Yacht "Maria" – Modelled by R. E. Stevens, Esq., Owned by the Mssrs. Stevens in New York

Frances Flora Bond Palmer (d. 1876)

1852 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.