Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
227 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 68 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4 from "Divers Bouquets d'après Nature"
Jean Pillement (d. 1808)
ca. 1750–55 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4 from "Divers Bouquets d'après Nature"
Jean Pillement (d. 1808)
ca. 1750–55 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Onzième Cahier du Recueil d'Ornemens" (Friezes)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Septième Cahier du Recueil d'Ornemens: Vases Antiques" (Antiques Vases)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plates 3 and 4 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'Après Nature
Paul Gavarni [Chevalier] (d. 1866)
19th century · Album with 40 lithographs; second state of two (Armelhault & Bocher), 4 volumes; wood engravings on cover pages of each volume
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'Après Nature, volume 1
Paul Gavarni [Chevalier] (d. 1866)
19th century · Volume 1 of an album with 40 lithographs; second state of two (Armelhault & Bocher), 4 volumes; wood engravings on cover pages of each volume
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'Après Nature, volume 2
Paul Gavarni [Chevalier] (d. 1866)
19th century · Volume 2 of an album with 40 lithographs; second state of two (Armelhault & Bocher), 4 volumes; wood engravings on cover pages of each volume
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'Après Nature, volume 3
Paul Gavarni [Chevalier] (d. 1866)
19th century · Volume 3 of an album with 40 lithographs; second state of two (Armelhault & Bocher), 4 volumes; wood engravings on cover pages of each volume
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D'Après Nature, volume 4
Paul Gavarni [Chevalier] (d. 1866)
19th century · Volume 4 of an album with 40 lithographs; second state of two (Armelhault & Bocher), 4 volumes; wood engravings on cover pages of each volume
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of V. Denon, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frederick Goulding, Master Printer of Copper Plates
Martin Hardie (d. 1952)
1910 · Illustrations: photogravure, photo-engraving and etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.