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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    983 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 382 matching records exist across the two collections.

Results for "Départ de Jacob (The Departure of Jacob)"12 records

Institutions answered newest-first by record, interleaved

Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso) by Jacob de Backer, The Metropolitan Museum of Art

Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso)

Jacob de Backer (d. 1600)

ca. 1580–90 · Brown and black oil with white heightening (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Auricular Cartouche with the Painter Hans von Aachen, the Goldsmith Paulus van Vianen, and the Sculptor Adriaen de Vries by Jacob Lutma, The Metropolitan Museum of Art

Auricular Cartouche with the Painter Hans von Aachen, the Goldsmith Paulus van Vianen, and the Sculptor Adriaen de Vries

Jacob Lutma (d. 1654)

ca. 1653 · Etching: second state of three

Cleared · Public Domain

live
The MetSimilar
Study for the figure of Moses by Jacob de Wit, The Metropolitan Museum of Art

Study for the figure of Moses

Jacob de Wit (d. 1754)

1730–37 · Point of brush and black ink with black and gray wash over red chalk

Cleared · Public Domain

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The MetSimilar
Allegory of the Arts by Jacob de Wit, The Metropolitan Museum of Art

Allegory of the Arts

Jacob de Wit (d. 1754)

1742 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Armchair (Fauteuil à la reine) (one of a pair) (part of a set) by Georges Jacob, The Metropolitan Museum of Art

Armchair (Fauteuil à la reine) (one of a pair) (part of a set)

Georges Jacob (d. 1814)

ca. 1780–85 · Carved and gilded walnut; embroidered silk satin

Cleared · Public Domain

live
The MetSimilar
Fire screen (écran) by Georges Jacob, The Metropolitan Museum of Art

Fire screen (écran)

Georges Jacob (d. 1814)

ca. 1786 · Carved, gilded and silvered beech; 18th-century silk brocade (not original to frame)

Cleared · Public Domain

live
The MetSimilar
Openwork side chair (one of a pair) by Georges Jacob, The Metropolitan Museum of Art

Openwork side chair (one of a pair)

Georges Jacob (d. 1814)

ca. 1785–90 · Mahogany, modern horsehair upholstery

Cleared · Public Domain

live
The MetSimilar
Openwork side chair (one of a pair) by Georges Jacob, The Metropolitan Museum of Art

Openwork side chair (one of a pair)

Georges Jacob (d. 1814)

ca. 1785–90 · Mahogany, modern horsehair upholstery

Cleared · Public Domain

live
The MetSimilar
Départ de Jacob (The Departure of Jacob) by Elisabeth Cousinet Lempereur, The Metropolitan Museum of Art

Départ de Jacob (The Departure of Jacob)

Elisabeth Cousinet Lempereur (d. 1800)

18th century · Etching

Cleared · Public Domain

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The MetSimilar
Daybed (lit de repos) by François-Honoré-Georges Jacob-Desmalter, The Metropolitan Museum of Art

Daybed (lit de repos)

François-Honoré-Georges Jacob-Desmalter (d. 1841)

ca. 1795–1803 · Mahogany and mahogany veneered on beechwood; gilt bronze, bronze, lampas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

De Arbitrariis judicum quaestionibus et causis

Jacob Menochius (d. 1607)

1599

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gemmarum Antiquarum Delectus; ex Præstantioribus Desumptus quæ in Dactyliothecis Ducis Marlburiensis Conservantur

Jacob Bryant (d. 1804)

[1780–83] · Illustrations: stipple engraving

In copyright

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The MetSimilar

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