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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    588 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 28 matching records exist across the two collections.

Results for "Dagger Sheath with a Nude Woman Above"11 records

Institutions answered newest-first by record, interleaved

Terracotta rim fragments of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta rim fragments of a kylix (drinking cup)

Unrecorded maker

460–450 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta pelike (jar) by Underworld Painter, The Metropolitan Museum of Art

Terracotta pelike (jar)

Underworld Painter

ca. 330–310 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Dagger Sheath with a Nude Woman Above by Heinrich Aldegrever, The Metropolitan Museum of Art

Dagger Sheath with a Nude Woman Above

Heinrich Aldegrever (d. 1561)

1555 · Engraving

Cleared · Public Domain

live
The MetSimilar
Dagger with Sheath and Knife by an unrecorded maker, The Metropolitan Museum of Art

Dagger with Sheath and Knife

Unrecorded maker

ca. 1600 · Steel, ivory, bone, silver, gold

Cleared · Public Domain

live
The MetSimilar
Dirk with Sheath by an unrecorded maker, The Metropolitan Museum of Art

Dirk with Sheath

Unrecorded maker

ca. 1650–1700 · Steel, wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Dagger Sheath with Flemish Grotesques

Cornelis Bos (d. 1556)

ca. 1546–55 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Dagger Sheath with Flemish Grotesques

Cornelis Bos (d. 1556)

ca. 1546–55 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Dagger Sheath with Flemish Grotesques

Cornelis Bos (d. 1556)

ca. 1546–55 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Otho, in an oval flanked by small niches with standing nude man and woman, plate 8 from "XII Caesarum Romanorum Imagines"

Hans Vredeman de Vries (d. 1606)

1603 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Panel with Two Overdoor Paintings, Above an Overmantel Painting of a Man and Woman Flanking a Vase, from Nouveau Liuvre de Taleaux de Portes, et cheminée utiles aux peintres en floeurs, Part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

after 1703–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fountains, Plate 5

Charles Hutin (d. 1776)

1764 · Etching

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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