
Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
384 ms. The Metropolitan Museum of Art, Collection API (Open Access)
470 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 61 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mademoiselle Bécat at the Café des Ambassadeurs, Paris
Edgar Degas (d. 1917)
1877–78 · Lithograph; only state
Cleared · Public Domain
live
May Milton
Henri de Toulouse-Lautrec (d. 1901)
1895 · Print, color lithograph
Cleared · CC0
live
Two Women in a Café
John Singer Sargent (d. 1925)
late 1880s · Charcoal on off-white wove paper
Cleared · Public Domain
live
Aristide Bruant, at His Cabaret
Henri de Toulouse-Lautrec (d. 1901)
1893 · Lithograph (with text) printed in four colors; machine wove paper
Cleared · Public Domain
live
Caudieux at the Petit Casino (from Le Café Concert)
Henri de Toulouse-Lautrec (d. 1901)
1893 · Crayon and spatter lithograph with scraper printed in black on wove paper; only state
Cleared · Public Domain
live
Divan Japonais
Henri de Toulouse-Lautrec (d. 1901)
1892–93 · Lithograph printed in four colors, wove paper
Cleared · Public Domain
live
Madame Abdala, from "Le Café Concert"
Henri de Toulouse-Lautrec (d. 1901)
1893 · Brush and spatter lithograph with scraper printed in black on wove paper; only state
Cleared · Public Domain
live
Chocolat Dansant
Henri de Toulouse-Lautrec (d. 1901)
1896 · Process reproduction of drawing
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancer at a Café Concert
Théophile-Alexandre Steinlen (d. 1923)
1892–93 · Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Singer
Edouard Vuillard (d. 1940)
ca. 1895 · Pen and ink (recto); pen and brush and ink (verso)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bottle of Marc Vieux
Georges Braque (d. 1963)
1912 · Oil and charcoal on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Americans in Paris
Al Hirschfeld (d. 2003)
1951 · Pen and black ink over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.