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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Dancing girl"7 records

Institutions answered newest-first by record, interleaved

Women Watching a Girl Dance on Shells (From the series Fashionable Presentations of Three Horses) by Torii Kiyonaga, The Cleveland Museum of Art

Women Watching a Girl Dance on Shells (From the series Fashionable Presentations of Three Horses)

Torii Kiyonaga (d. 1815)

1784 · Print, color woodblock print

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Dancing Girl by James McNeill Whistler, The Cleveland Museum of Art

The Dancing Girl

James McNeill Whistler (d. 1903)

1890 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bahram Visits the White Domed Pavilion on Friday (recto) by an unrecorded maker, The Cleveland Museum of Art

Bahram Visits the White Domed Pavilion on Friday (recto)

Unrecorded maker

c. 1560–80 · Manuscript, opaque watercolor, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami by an unrecorded maker, The Cleveland Museum of Art

Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

Unrecorded maker

c. 1560–80 · Manuscript, opaque watercolor, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Serpent Headdress by an unrecorded maker, The Cleveland Museum of Art

Serpent Headdress

Unrecorded maker

late 1800s–early 1900s · Mask, Wood (Nauclea pobeguinii) and paint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Egypt and Nubia, Volume III: Dancing Girls at Cairo by Louis Haghe, The Cleveland Museum of Art

Egypt and Nubia, Volume III: Dancing Girls at Cairo

Louis Haghe (d. 1885)

1849 · Print, color lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Maharaja Abhai Singh of Marwar (reigned 1724–49), Equestrian, Watching Girls Swinging at the Teej Festival by an unrecorded maker, The Cleveland Museum of Art

Maharaja Abhai Singh of Marwar (reigned 1724–49), Equestrian, Watching Girls Swinging at the Teej Festival

Unrecorded maker

c. 1740 · Painting, gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.