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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    428 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 148 matching records exist across the two collections.

Results for "Daphnis Playing His Pipe for Chloe, from"12 records

Institutions answered newest-first by record, interleaved

Zampogna by an unrecorded maker, The Metropolitan Museum of Art

Zampogna

Unrecorded maker

date not published · Wood, metal, leather

Cleared · Public Domain

live
The MetSimilar
Youth Playing a Pipe for a Satyr by Giovanni Benedetto Castiglione (Il Grechetto), The Metropolitan Museum of Art

Youth Playing a Pipe for a Satyr

Giovanni Benedetto Castiglione (Il Grechetto) (d. 1664)

1645–50 · Brush with colored oil paint; paper partly saturated with oil; lined

Cleared · Public Domain

live
The MetSimilar
Dvojnice by an unrecorded maker, The Metropolitan Museum of Art

Dvojnice

Unrecorded maker

late 19th century · Plumwood

Cleared · Public Domain

live
The MetSimilar
Northumbrian Small-Pipe by John Center, The Metropolitan Museum of Art

Northumbrian Small-Pipe

John Center (d. 1913)

after 1867 · Wood, leather, ivory, brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Rubber–"Put to his Trumps"

Louis Maurer (d. 1932)

1857–71 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume design for a Brigand Boy in the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912

Léon Bakst (d. 1924)

[1912] · Watercolor and lead pencil

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume Design for a Woman from the Village, for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912

Léon Bakst (d. 1924)

[1912] · Watercolor and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912

Léon Bakst (d. 1924)

[1911] · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Daphnis Playing His Pipe for Chloe, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"

Aristide Maillol (d. 1944)

1937 · Woodcut; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Daphnis Playing His Pipe for Chloe, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"

Aristide Maillol (d. 1944)

1937 · Woodcut; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Zampogna

Unrecorded maker

ca. 1900–1963 · Wood, metal, oilcloth, plastic, textile

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Zampogna

Unrecorded maker

20th century · Wood, plastic, oilcloth

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.