
Daphnis Running toward Chloe
baron François Gérard (d. 1837)
ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
153 ms. The Metropolitan Museum of Art, Collection API (Open Access)
298 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 59 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Daphnis Running toward Chloe
baron François Gérard (d. 1837)
ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales De Daphnis Et Chloé
Longus (d. 299)
1745
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales de Daphnis et Chloé
Longus (d. 299)
1776
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chloe is Given to Daphnis, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis and Chloe Embracing, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis and Chloe Picking Flowers, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis and Chloe Playing, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof of first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis and Chloe Playing, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof of first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis and Chloe, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; first state, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis Lifts Chloe Up, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; first state, proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Daphnis Observes the Sleeping Chloe, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Philetas Speaking to Daphnis and Chloe, from "Les Pastorales de Longus ou Daphnis and Chloe, Version d'Amyot Revue et Complété par P. L. Courier"
Aristide Maillol (d. 1944)
1937 · Woodcut; proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.