
A Landscape with Travelers
Pieter de Molijn (d. 1661)
1654 · Black chalk and gray wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
375 ms. The Metropolitan Museum of Art, Collection API (Open Access)
402 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 23,830 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A Landscape with Travelers
Pieter de Molijn (d. 1661)
1654 · Black chalk and gray wash
Cleared · Public Domain
live
Salome with the Head of St. John the Baptist
Albrecht Altdorfer (d. 1538)
c. 1517 · Drawing, pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black ink
Cleared · CC0
live
Island of the Dead
Arnold Böcklin (d. 1901)
1880 · Oil on wood
Cleared · Public Domain
live
Tannhäuser
Henri Fantin-Latour (d. 1904)
1886 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Poor Bench in Saint-Germain-des-près
Léon-Augustin Lhermitte (d. 1925)
1867 · Charcoal
In copyright
live
The Crucifixion of Saint Andrew
Caravaggio (d. 1610)
1606–7 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Castle Bridge
Sir Francis Seymour Haden (d. 1910)
1877 · Etching; first (final) state (Harrington); third state of four (Schneiderman)
In copyright
live
Study of a Man with Hands in His Pockets
Gustave Caillebotte (d. 1894)
1893 · Drawing, black chalk on Arches modern laid paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Morphine Addicts
Paul-Albert Besnard (d. 1934)
1887 · Etching, only state
In copyright
live
Portrait of a Woman
Rembrandt van Rijn (d. 1669)
1635 or earlier · Painting, oil on wood
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Standing Clock
L. & J. G. Stickley of Fayetteville, New York
ca. 1901–16 · Graphite, black chalk, pen and black ink
In copyright
live
Saint Francis Receiving the Stigmata
Agostino Carracci (d. 1602)
1586 · Print, engraving
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.