
Absalom Inviting David and His Brothers
Heinrich Aldegrever (d. 1561)
1540 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
385 ms. The Metropolitan Museum of Art, Collection API (Open Access)
495 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 305 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Absalom Inviting David and His Brothers
Heinrich Aldegrever (d. 1561)
1540 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
live
Absalom Inviting David and His Brothers, from "The Story of Amnon and Tamar"
Heinrich Aldegrever (d. 1561)
1540 · Engraving; first state of two
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Absalom Conspiring Outside the Gates of Jerusalem, from "The Story of David and Absalom"
Jan (Johannes) Wierix (d. 1615)
ca. 1585 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David Feigns Madness before King Achish and Flees, from "The Story of Saul and David"
Maerten de Vos (d. 1603)
1580–90 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David Fleeing from Absalom, from "The Story of Saul and David"
Maerten de Vos (d. 1603)
1580–90 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David Flees from Absalom from The History of Saul and David
Maerten de Vos (d. 1603)
1580–1590 · Engraving; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shimei Casting Stones at David and his Servants, from "The Story of David and Absalom"
Jan (Johannes) Wierix (d. 1615)
ca. 1585 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Counsel of Ahithophel and Hushai with Absalom, from "The Story of David and Absalom"
Jan (Johannes) Wierix (d. 1615)
ca. 1585 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death of Absalom, from "The Story of David and Absalom"
Jan (Johannes) Wierix (d. 1615)
ca. 1585 · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David Appointing Three Generals and Preventing Them from Killing Absalom, from "Scenes from the Life of King David"
Anonymous
after 1574 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Death of Absalom, from "Scenes from the Life of King David"
Anonymous
after 1574 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Reconciliation of Absalom and David, from "Scenes from the Life of King David"
Anonymous
after 1574 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.