Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    360 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    316 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 330 matching records exist across the two collections.

Results for "David Receiving Gifts for the Constructi"12 records

Institutions answered newest-first by record, interleaved

Plate with the Arming of David by an unrecorded maker, The Metropolitan Museum of Art

Plate with the Arming of David

Unrecorded maker

629–630 · Silver

Cleared · Public Domain

live
The MetSimilar
Saint John the Baptist; Saint Francis Receiving the Stigmata by Gerard David, The Metropolitan Museum of Art

Saint John the Baptist; Saint Francis Receiving the Stigmata

Gerard David (d. 1523)

ca. 1485–90 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Box with Scenes of an Emperor Receiving Gifts by an unrecorded maker, The Metropolitan Museum of Art

Box with Scenes of an Emperor Receiving Gifts

Unrecorded maker

early to mid-17th century · Papier-maché; painted and lacquered

Cleared · Public Domain

live
The MetSimilar
Equestrian portrait of William, Duke of Cumberland (1721–1765) by David Morier, The Metropolitan Museum of Art

Equestrian portrait of William, Duke of Cumberland (1721–1765)

David Morier (d. 1770)

ca. 1751–60 · Glass, reverse painted and mirrored

Cleared · Public Domain

live
The MetSimilar
Snuffbox with portrait of a child holding a dog by David Lhonorey, The Metropolitan Museum of Art

Snuffbox with portrait of a child holding a dog

David Lhonorey (d. 1852)

1782–83 · Gold, enamel

Cleared · Public Domain

live
The MetSimilar
Company Officer Receiving a Nobleman by an unrecorded maker, The Metropolitan Museum of Art

Company Officer Receiving a Nobleman

Unrecorded maker

ca. 1760–65 · Opaque color and gold on paper

Cleared · Public Domain

live
The MetSimilar
The Death of Socrates by Jacques Louis David, The Metropolitan Museum of Art

The Death of Socrates

Jacques Louis David (d. 1825)

ca. 1786 · Pen and black ink, over black chalk, touches of pen and brown ink; squared in black chalk

Cleared · Public Domain

live
The MetSimilar
Charles-Nicolas, baron Fabvier (1782–1855) by Pierre Jean David d'Angers, The Metropolitan Museum of Art

Charles-Nicolas, baron Fabvier (1782–1855)

Pierre Jean David d'Angers (d. 1856)

1829 · Wax on slate

Cleared · Public Domain

live
The MetSimilar
Tétouan from the Terrace of Cohen’s House, Morocco by David Roberts, The Metropolitan Museum of Art

Tétouan from the Terrace of Cohen’s House, Morocco

David Roberts (d. 1864)

April 10, 1833 · Watercolor and gouache over soft dark graphite on gray paper

Cleared · Public Domain

live
The MetSimilar
American Barque "Jane Tudor," Conway Bay by David Johnson, The Metropolitan Museum of Art

American Barque "Jane Tudor," Conway Bay

David Johnson

ca. 1855 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David Receiving Gifts for the Construction of the Temple, from "Scenes from the Life of King David"

Anonymous

after 1574 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Margaret Mcingana, Sunday afternoon, Soweto

David Goldblatt (d. 2018)

1970 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.