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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    252 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    402 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "David Respecting Saul's Life, from "Scen"10 records

Institutions answered newest-first by record, interleaved

Miniature male effigy by Inca artist(s), The Metropolitan Museum of Art

Miniature male effigy

Inca artist(s)

1400–1535 CE · Gold-silver alloy

Cleared · Public Domain

live
The MetSimilar
The Wayfarer Crowned by Happiness from The Table of Cebes by David Kandel, The Metropolitan Museum of Art

The Wayfarer Crowned by Happiness from The Table of Cebes

David Kandel (d. 1601)

1550–80 · Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.)

Cleared · Public Domain

live
The MetSimilar
Seated Nude Young Man in Nearly Frontal View by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Nude Young Man in Nearly Frontal View

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper

Cleared · Public Domain

live
The MetSimilar
Pair-case watch with quarter repeating mechanism by George Graham, The Metropolitan Museum of Art

Pair-case watch with quarter repeating mechanism

George Graham (d. 1751)

1719–20 · Outer and inner cases: gold; Dial: champlevé gold; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Stand by Sèvres Manufactory, The Metropolitan Museum of Art

Stand

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Tureen with cover (Terrine épis de blé or épis en or et plateau) by Sèvres Manufactory, The Metropolitan Museum of Art

Tureen with cover (Terrine épis de blé or épis en or et plateau)

Sèvres Manufactory (d. 9999)

ca. 1777–85 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David Sparing Saul's Life, from The Story of David and Saul, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"

Ambrosius Francken I (d. 1618)

1585 · Engraving; first state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David Receiving and Refusing Saul's Armour, from "Scenes from the Life of King David"

Anonymous

after 1574 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David Respecting Saul's Life, from "Scenes from the Life of King David"

Anonymous

after 1574 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Messanger Giving Saul's Crown to David, from "Scenes from the Life of King David"

Anonymous

after 1574 · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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