
David and Goliath
Unrecorded maker
ca. 1400 · Parchment, tempera, ink, metal leaf
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
803 ms. The Metropolitan Museum of Art, Collection API (Open Access)
347 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,009 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

David and Goliath
Unrecorded maker
ca. 1400 · Parchment, tempera, ink, metal leaf
Cleared · Public Domain
live
David Victorious over Goliath
Giovanni Battista Foggini (d. 1725)
1722 · Sculpture, terracotta
Cleared · CC0
live
David and Goliath
Ugo da Carpi (d. 1532)
ca. 1520–27 · Chiaroscuro woodcut from three blocks in green
Cleared · Public Domain
live
David Triumphant over Goliath
Moderno (d. 1528)
late 1400s - early 1500s · Sculpture, bronze
Cleared · CC0
live
David and Goliath
Rembrandt (Rembrandt van Rijn) (d. 1669)
1655 · Etching, burin, and drypoint, some plate tone; first of five states
Cleared · Public Domain
live
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (d. 1682)
c. 1645 · Drawing, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink
Cleared · CC0
live
David and Goliath
Francesco Fanelli (d. 1665)
17th century cast · Bronze
Cleared · Public Domain
live
David and Goliath (verso)
Claude Lorrain (d. 1682)
c. 1645 · Drawing, black chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David and Goliath
Ugo da Carpi (d. 1532)
ca. 1520–27 · Chiaroscuro woodcut from two blocks in green
In copyright
live
Samson
Valentin de Boulogne (d. 1632)
1630–31 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David and Goliath
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
live
Book of Hours (Use of Rouen): fol. 80r, Opening Penitential Psalms, David Penitent, in the Distance David Slaying Goliath
Master of the Geneva Latini
c. 1470 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.