
Basilard
Unrecorded maker
ca. 1540 · Steel, wood, gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
359 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Basilard
Unrecorded maker
ca. 1540 · Steel, wood, gold
Cleared · Public Domain
live
Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)
Unrecorded maker
ca. 1580–90 · Steel
Cleared · Public Domain
live
Stove
David II Pfau (d. 1702)
ca. 1684–85 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
David and Goliath
Francesco Fanelli (d. 1665)
17th century cast · Bronze
Cleared · Public Domain
live
David and Goliath, after a Capital in Vézelay Abbey
Eugène-Emmanuel Viollet-le-Duc (d. 1879)
ca. 1840 · Graphite
Cleared · Public Domain
live
Armor for Man and Horse
Unrecorded maker
man's armor, ca. 1570 and later; horse armor, ca. 1580–90 and later · Steel, leather, copper alloy, textile
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David and Goliath
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Part of a Greave (Lower Leg Defense)
Unrecorded maker
ca. 1570 · Steel, copper alloy
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David and Goliath
Wenceslaus Hollar (d. 1677)
1638 · Etching, only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Girard Audran (d. 1703)
1668 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 38: the fall of Jericho and David and Goliath after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Carlo Lasinio (d. 1838)
ca. 1808–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
David with the head of Goliath
Unrecorded maker
19th–20th century · Bronze
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.