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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    359 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    375 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "David and Goliath, after a Capital in Vé"12 records

Institutions answered newest-first by record, interleaved

Basilard by an unrecorded maker, The Metropolitan Museum of Art

Basilard

Unrecorded maker

ca. 1540 · Steel, wood, gold

Cleared · Public Domain

live
The MetSimilar
Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620) by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)

Unrecorded maker

ca. 1580–90 · Steel

Cleared · Public Domain

live
The MetSimilar
Stove by David II Pfau, The Metropolitan Museum of Art

Stove

David II Pfau (d. 1702)

ca. 1684–85 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
David and Goliath by Francesco Fanelli, The Metropolitan Museum of Art

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Cleared · Public Domain

live
The MetSimilar
David and Goliath, after a Capital in Vézelay Abbey by Eugène-Emmanuel Viollet-le-Duc, The Metropolitan Museum of Art

David and Goliath, after a Capital in Vézelay Abbey

Eugène-Emmanuel Viollet-le-Duc (d. 1879)

ca. 1840 · Graphite

Cleared · Public Domain

live
The MetSimilar
Armor for Man and Horse by an unrecorded maker, The Metropolitan Museum of Art

Armor for Man and Horse

Unrecorded maker

man's armor, ca. 1570 and later; horse armor, ca. 1580–90 and later · Steel, leather, copper alloy, textile

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David and Goliath

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of a Greave (Lower Leg Defense)

Unrecorded maker

ca. 1570 · Steel, copper alloy

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David and Goliath

Wenceslaus Hollar (d. 1677)

1638 · Etching, only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome

Girard Audran (d. 1703)

1668 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 38: the fall of Jericho and David and Goliath after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)

Carlo Lasinio (d. 1838)

ca. 1808–12 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

David with the head of Goliath

Unrecorded maker

19th–20th century · Bronze

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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