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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    562 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    397 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "Day (Le Jour), from the series, Dreams ("12 records

Institutions answered newest-first by record, interleaved

Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali) by Giovanni Battista Brustolon, The Metropolitan Museum of Art

Plate 5: The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali)

Giovanni Battista Brustolon (d. 1796)

ca. 1766 · Etching and engraving; second state of four

Cleared · Public Domain

live
The MetSimilar
A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852 by Honoré Daumier, The Metropolitan Museum of Art

A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852

Honoré Daumier (d. 1879)

May 17, 1852 · Lithograph; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865 by Honoré Daumier, The Metropolitan Museum of Art

New Parisian butcher's shop, from 'Sketches of the day,' published in Le Charivari, April 22, 1865

Honoré Daumier (d. 1879)

April 22, 1865 · Lithograph on newsprint; second state of two (Delteil)

Cleared · Public Domain

live
The MetSimilar
The dream of the inventor of the pin-gun on All Saints' Day, from 'News of the day,' published in "Le Charivari" by Honoré Daumier, The Metropolitan Museum of Art

The dream of the inventor of the pin-gun on All Saints' Day, from 'News of the day,' published in "Le Charivari"

Honoré Daumier (d. 1879)

November 1, 1866 · Lithograph on wove paper; third state of three (Delteil)

Cleared · Public Domain

live
The MetSimilar
Day (Le Jour), from the series, Dreams (Songes), plate VI by Odilon Redon, The Metropolitan Museum of Art

Day (Le Jour), from the series, Dreams (Songes), plate VI

Odilon Redon (d. 1916)

1891 · Lithograph on chine collé; only state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Matin (Morning), from Les Quatres Heures du Jour (The Four Times of Day)

Louis Jacques Cathelin (d. 1804)

ca. 1765 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Midi (Noon), from Les Quatres Heures du Jour (The Four Times of Day)

Louis Jacques Cathelin (d. 1804)

ca. 1765 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Soir (Evening), from Les Quatres Heures du Jour (The Four Times of Day)

Louis Jacques Cathelin (d. 1804)

ca. 1765 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Déclin du Jour (The End of Day), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme

Jean Michel Moreau le Jeune (d. 1814)

1772 · Etching and engraving; second state of four (bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Un jour d'échéance, plate XXV from the suite Impressions de Ménage (second series), published in Le Charivari, May 31, 1847

Paul Gavarni [Chevalier] (d. 1866)

May 31, 1847 · Lithograph; second and last state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Un jour de Gala, plate XXVI from the suite Impressions de Ménage (second series), published in Le Charivari, June 1, 1847

Paul Gavarni [Chevalier] (d. 1866)

June 1, 1847 · Lithograph; second and last state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dimanche – Le Journal d'un seul jour

Yves Klein (d. 1962)

November 27, 1960 · Halftone and letterpress on newsprint

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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