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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    199 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "De La Rue's Stationery Stand and Envelop"12 records

Institutions answered newest-first by record, interleaved

Standing Figure of an Evangelist by Pedro  Duque Cornejo, The Metropolitan Museum of Art

Standing Figure of an Evangelist

Pedro Duque Cornejo (d. 1757)

ca. 1700–50 · Pen and dark brown ink on ivory paper

Cleared · Public Domain

live
The MetSimilar
Portrait of P. Barabara by Guillaume Thiemet, The Metropolitan Museum of Art

Portrait of P. Barabara

Guillaume Thiemet (d. 1850)

second half of 18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Ancient Scene with a Funeral Ceremony for an Actor by Louis Jean Desprez, The Metropolitan Museum of Art

Ancient Scene with a Funeral Ceremony for an Actor

Louis Jean Desprez (d. 1804)

ca. 1777 · Pen and black ink and watercolor

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Boudoir from the Hôtel de Crillon by Pierre-Adrien Paris, The Metropolitan Museum of Art

Boudoir from the Hôtel de Crillon

Pierre-Adrien Paris (d. 1819)

ca. 1777–80 · Oak, painted and gilded

Cleared · Public Domain

live
The MetSimilar
View of the Boulevards of Paris by William Henry Fox Talbot, The Metropolitan Museum of Art

View of the Boulevards of Paris

William Henry Fox Talbot (d. 1877)

1843 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
[Rue de Constantine] by Charles Marville, The Metropolitan Museum of Art

[Rue de Constantine]

Charles Marville (d. 1879)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
La Tour St. Jacques La Boucherie à Paris by Charles Soulier, The Metropolitan Museum of Art

La Tour St. Jacques La Boucherie à Paris

Charles Soulier (d. 1875)

ca. 1867 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Manet and his Easel by Jean-Frédéric Bazille, The Metropolitan Museum of Art

Manet and his Easel

Jean-Frédéric Bazille (d. 1870)

1868–70 (?) · Charcoal, white chalk on blue laid paper faded to yellow-gray

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

De La Rue's Stationery Stand and Envelope Machine, from "Recollections of the Great Exhibition, 1851"

Edwin Thomas Dolby (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Woman in the Cape

Paul-Albert Besnard (d. 1934)

1889 · Etching and drypoint; sixth state of six

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hat

Madame Virot

ca. 1902 · silk, linen

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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