
Death and the Lansquenet
Albrecht Dürer (d. 1528)
1510 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
198 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,398 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Death and the Lansquenet
Albrecht Dürer (d. 1528)
1510 · Woodcut
Cleared · Public Domain
live
Death and the Woodcutter
Alphonse Legros (d. 1911)
1881 · Print, drypoint
Cleared · CC0
live
Knight, Death, and the Devil
Albrecht Dürer (d. 1528)
1513 · Engraving
Cleared · Public Domain
live
Death and the Woodcutter
Alphonse Legros (d. 1911)
1881 · Print, etching and drypoint
Cleared · CC0
live
The Advocate and Death, from "Dance of Death"
Wenceslaus Hollar (d. 1677)
[1651] late 18th century printing · Etching; second state of four
Cleared · Public Domain
live
Death and the Miser
Thomas Rowlandson (d. 1827)
December 20, 1801 · Hand-colored etching
Cleared · Public Domain
liveDeath and the Doctor
Honoré Daumier (d. 1879)
probably 1860–79 · Black chalk or charcoal with traces of brown ink on tan laid paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Death and the Lady
Sebald Beham (d. 1550)
1541 · Engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Woodcutter
William Ward (d. 1826)
February 1, 1792 · Mezzotint, printed in color and hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Woodcutter
Sir Edwin Henry Landseer (d. 1873)
June 1, 1849 · Etching, engraving and stipple on chine collé; proof before title
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Death and the Woman
Edvard Munch (d. 1944)
1894–95 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The woodcutter
Rufino Tamayo (d. 1991)
ca. 1926–27 · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.