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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    757 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    266 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 556 matching records exist across the two collections.

Results for "Decorative band perhaps from a shrine wi"12 records

Institutions answered newest-first by record, interleaved

Head of a pin in form of a winged horse by an unrecorded maker, The Metropolitan Museum of Art

Head of a pin in form of a winged horse

Unrecorded maker

ca. 8th–7th century BCE · Ivory

Cleared · Public Domain

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The MetSimilar
Bes-image pendant by an unrecorded maker, The Metropolitan Museum of Art

Bes-image pendant

Unrecorded maker

664–525 BCE · Faience

Cleared · Public Domain

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The MetSimilar
Shrine inlay by an unrecorded maker, The Metropolitan Museum of Art

Shrine inlay

Unrecorded maker

664–525 BCE · White stone

Cleared · Public Domain

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The MetSimilar
Decorative band perhaps from a shrine with the name of Ptolemy X by an unrecorded maker, The Metropolitan Museum of Art

Decorative band perhaps from a shrine with the name of Ptolemy X

Unrecorded maker

107–88 BCE · Gilded silver

Cleared · Public Domain

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The MetSimilar
Loving Couple (Mithuna) by an unrecorded maker, The Metropolitan Museum of Art

Loving Couple (Mithuna)

Unrecorded maker

1st–2nd century · Double-molded terracotta

Cleared · Public Domain

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The MetSimilar
Plaque with the Journey to Emmaus and Noli Me Tangere by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Journey to Emmaus and Noli Me Tangere

Unrecorded maker

ca. 1115–20 · Elephant ivory with traces of gilding

Cleared · Public Domain

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The MetSimilar
Enamel from a Reliquary by Master of the Virgin Mary's Reliquary Casket, The Metropolitan Museum of Art

Enamel from a Reliquary

Master of the Virgin Mary's Reliquary Casket

early 13th century · Champlevé enamel, cloisonné enamel, and gilded copper

Cleared · Public Domain

live
The MetSimilar
Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki) by an unrecorded maker, The Metropolitan Museum of Art

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)

Unrecorded maker

late 13th century · Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper

Cleared · Public Domain

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The MetSimilar
Man's Tunic by an unrecorded maker, The Metropolitan Museum of Art

Man's Tunic

Unrecorded maker

1000–1476 CE · Camelid and cotton fibers

Cleared · Public Domain

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The MetSimilar
The Lamentation by an unrecorded maker, The Metropolitan Museum of Art

The Lamentation

Unrecorded maker

ca. 1480 · Walnut with paint and gilding

Cleared · Public Domain

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The MetSimilar
Saint Michael by an unrecorded maker, The Metropolitan Museum of Art

Saint Michael

Unrecorded maker

ca. 1530 · Wood, paint, and gilding

Cleared · Public Domain

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The MetSimilar
Shrine by Matthias Walbaum, The Metropolitan Museum of Art

Shrine

Matthias Walbaum (d. 1632)

1598–1600 · Ebony, silver, gilded silver, gouache on parchment

Cleared · Public Domain

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The MetSimilar

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