
Drum panel with scenes of the Great Departure and Temptation of the Buddha
Unrecorded maker
first half 3rd century CE · Limestone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
386 ms. The Metropolitan Museum of Art, Collection API (Open Access)
245 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 493 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Drum panel with scenes of the Great Departure and Temptation of the Buddha
Unrecorded maker
first half 3rd century CE · Limestone
Cleared · Public Domain
live
Departure from Kashima
Unrecorded maker
1336–92 · Painting, hanging scroll; ink and color on silk
Cleared · CC0
live
Snuffbox with miniature depicting departure of Telemachus from Egypt
Charles Ouizille (d. 1845)
1780–81 · Gold, enamel
Cleared · Public Domain
live
Departure of Blanchard and Jeffries' Balloon from Dover, January 7, 1785
Thomas Rowlandson (d. 1827)
January 1794 · Hand-colored etching
Cleared · Public Domain
live
Departure of Grand Armée from Paris, entrance into Vienna, 1809
Bertrand Andrieu (d. 1822)
1809 · Gilt bronze, struck
Cleared · Public Domain
live
The Departure from Wakefield, from "The Vicar of Wakefield"
Thomas Rowlandson (d. 1827)
May 1, 1817 · Hand-colored etching and aquatint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure of the Angel, from "The Story of Tobias"
Maerten de Vos (d. 1603)
1582–85 · Etching; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure of the Angel, from The Story of Tobias
Jacques de Gheyn II (d. 1629)
1595 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure of the Sons of Tippoo Sultan from the Zenana
Francesco Bartolozzi (d. 1815)
1793 · Hand-colored stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Depart de Tréport (Departure from Le Tréport)
Auguste Jean Marie Jugelet (d. 1874)
1846 · Lithograph on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Departure, from "History of the Crusades"
Désiré-Mathieu Quesnel (d. 1915)
after 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lord Kitchener's Departure from Shanghai
Unknown
1909 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.