Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    721 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    253 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 282 matching records exist across the two collections.

Results for "Desert Scene with Antelope"12 records

Institutions answered newest-first by record, interleaved

Fragment of a desert hunt - see 26.3.354-5-related by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a desert hunt - see 26.3.354-5-related

Unrecorded maker

ca. 2051–2000 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Part of Khety's desert hunt scene by an unrecorded maker, The Metropolitan Museum of Art

Part of Khety's desert hunt scene

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Sealing with stamp seal impressions: radiating griffins; banquet scene by an unrecorded maker, The Metropolitan Museum of Art

Sealing with stamp seal impressions: radiating griffins; banquet scene

Unrecorded maker

ca. 18th century BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Desert Scene with Antelope by an unrecorded maker, The Metropolitan Museum of Art

Desert Scene with Antelope

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Statuette of Horus spearing an antelope by an unrecorded maker, The Metropolitan Museum of Art

Statuette of Horus spearing an antelope

Unrecorded maker

664–525 BCE · Cupreous metal

Cleared · Public Domain

live
The MetSimilar
Horned quadruped by an unrecorded maker, The Metropolitan Museum of Art

Horned quadruped

Unrecorded maker

664–30 BCE · Cupreous metal

Cleared · Public Domain

live
The MetSimilar
Glass fragment with painted scene by an unrecorded maker, The Metropolitan Museum of Art

Glass fragment with painted scene

Unrecorded maker

4th century CE · Glass, paint

Cleared · Public Domain

live
The MetSimilar
Stirrup-spout bottle with palace scene by Chimú artist(s), The Metropolitan Museum of Art

Stirrup-spout bottle with palace scene

Chimú artist(s)

1000–1470 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Miranda (Shakespeare, The Tempest, Act 1, Scene 2) by Caroline Watson, The Metropolitan Museum of Art

Miranda (Shakespeare, The Tempest, Act 1, Scene 2)

Caroline Watson (d. 1814)

1784 · Stipple engraving; printed in brown ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Abraham and Hagar (Agar chassée de la maison d'Abraham)

Etienne Delaune (d. 1583)

1569 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Coast Scene – Desert Rock Light House, Maine

Currier & Ives (d. 1907)

ca. 1865 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Desert Waste

William Cheesborough Ostrander (d. 1953)

1929 · Etching and drypoint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.