Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
806 ms. The Metropolitan Museum of Art, Collection API (Open Access)
361 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16,320 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Graphite with pen and black ink on paper
In copyright
live
Two Drawings of Ships (verso)
Parri Spinelli (d. 1453)
1410s · Drawing, pen and brown ink (iron gall)
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Graphite and crayon on paper
In copyright
live
The Seed Received among the Thorns, from the Parable of the Sower
Gerard P. van Groningen
c. 1573 · Drawing, Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Graphite and watercolor on paper
In copyright
live
Design for a Frieze with a Putto and Acanthus Leaves
Giulio Romano (d. 1546)
c. 1520 · Drawing, Pen and brown ink, red and black chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Crayon and graphite on paper
In copyright
live
Temperance
Domenichino (d. 1641)
1628–30 · Drawing, black chalk heightened with white chalk, squared with black chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Colored inks on paper
In copyright
live
Aeneas in the Underworld, Design for a Fan
François Boucher (d. 1770)
after 1730 · Drawing, watercolor and gouache
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawings
Andor Weininger (d. 1986)
1922–49 · Watercolor and graphite on paper
In copyright
live
Design for a Gothic Fountain
Master W with the Key (d. 1490)
c. 1470 · Print, engraving
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.