
Design for a "Quarantore" Decoration
Federico Zuccaro (Zuccari) (d. 1609)
1540–1609 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
573 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a "Quarantore" Decoration
Federico Zuccaro (Zuccari) (d. 1609)
1540–1609 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk
Cleared · Public Domain
live
Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
live
Presentation Drawing of a late Baroque Altar inside a Church
Anonymous, Central European, 18th century (d. 1800)
ca. 1720–30 · Pen and black and brown ink, brush and gray wash, watercolor, and metallic pigment
Cleared · Public Domain
live
Design for a Monumental Altar, plate B from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Johann Michael Leüchte
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for a Monumental Altar, plate H from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Johann Michael Leüchte
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for a Monumental Altar, plate I from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"
Johann Michael Leüchte
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for an Altar
Anonymous, German, 19th century (d. 1899)
19th century · Pen and black and gray ink, brush and gray wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Altar, Christ Episcopal Church, Rochester, New York
Louis C. Tiffany (d. 1933)
1902 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel Wall, Christ Church, Cobble Hill, Brooklyn, New York
Louis C. Tiffany (d. 1933)
1917 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard with painted window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chapel of the Angels, St. Michael's Episcopal Church, New York, New York
Louis C. Tiffany (d. 1933)
1919-20 · Transparent and opaque watercolor, ink, and graphite on paper and collage of gelatin silver print, mounted on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chapel of the Angels, St. Michael's Episcopal Church, New York, New York
Louis C. Tiffany (d. 1933)
1919-20 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Photograph of design for single mosaic panel for "Te Deum Laudamus" triptych
Louis C. Tiffany (d. 1933)
ca. 1922–23 · Photograph
In copyright
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2. Read the arithmetic
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