Design for a Church Wall Lantern, Front and Side Elevations
Richardson Ellson & Co.
ca. 1880 · Pen and ink, brush and wash and watercolor
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
282 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 95 matching records exist across the two collections.
Results for "Design for Chancel Wall, Christ Church,"12 records
Institutions answered newest-first by record, interleaved
Designs for Church Lights: Wall Bracket, Nave Standard, Chancel Standard
Richardson Ellson & Co.
ca. 1880 · Pen and ink, brush and wash and watercolor
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Public Buildings in the City of New York for the New York Mirror: Christ Church, St. Mark's Church, St. Patrick's Cathedral, Grace Church, St. George's Church, Presbyterian Church
James Eddy (d. 1888)
1829 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Scheme for Decoration of the Chancel, Christ Church, Brooklyn, New York"
Louis C. Tiffany (d. 1933)
ca. 1892-93 · Transparent and opaque watercolor, glaze, and graphite on translucent paper mounted on paper, mounted on paperboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Altar, Christ Episcopal Church, Rochester, New York
Louis C. Tiffany (d. 1933)
1902 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, First Presbyterian Church, Lake Forest, Illinois
Louis C. Tiffany (d. 1933)
1902 · Transparent and opaque watercolor, ink and graphite on collage of translucent paper and gelatin silver print and collage of paper mounted on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, Saint Michael's Church, Charleston, South Carolina
Louis C. Tiffany (d. 1933)
ca. 1905 · Transparent and opaque watercolor, metallic paint, and graphite on paper mouted on paperboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel wall for First Reformed Church, Albany, NY
Louis C. Tiffany (d. 1933)
1910 · Watercolor, pen and ink, aluminum wash, and graphite on wove paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Christ Enthroned Window
Frederick Wilson (d. 1932)
ca. 1906 · Watercolor, pen and brown India ink, graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel Wall, Christ Church, Cobble Hill, Brooklyn, New York
Louis C. Tiffany (d. 1933)
1917 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard with painted window mat
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, All Saints' Episcopal Church, Atlanta, Georgia
Louis C. Tiffany (d. 1933)
ca. 1914 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for church interior, Christ Church, Hudson, New York
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor, brown ink, and graphite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.