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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    376 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 174 matching records exist across the two collections.

Results for "Design for Choir Stalls"12 records

Institutions answered newest-first by record, interleaved

Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple. by Lorenzo Monaco (Piero di Giovanni), The Metropolitan Museum of Art

Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.

Lorenzo Monaco (Piero di Giovanni) (d. 1425)

1408–11 · Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with a Cardinal's Hat by Anonymous, French, 16th century, The Metropolitan Museum of Art

Design for a Choir Screen with a Cardinal's Hat

Anonymous, French, 16th century (d. 1600)

16th century · Black chalk, pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for Choir Stalls Showing the Entrance to the Choir through the Rood Screen by Anonymous, French, 16th century, The Metropolitan Museum of Art

Design for Choir Stalls Showing the Entrance to the Choir through the Rood Screen

Anonymous, French, 16th century (d. 1600)

16th century · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for a Choir Screen with Two Variants, from "Clôtures de chapelles" by Jean Le Pautre, The Metropolitan Museum of Art

Design for a Choir Screen with Two Variants, from "Clôtures de chapelles"

Jean Le Pautre (d. 1682)

17th century · Etching; third edition

Cleared · Public Domain

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The MetSimilar
Design for an Altar and Choir Grill, Abbey at Rebais by Claude Louis D'Aviler, The Metropolitan Museum of Art

Design for an Altar and Choir Grill, Abbey at Rebais

Claude Louis D'Aviler (d. 1764)

1799 · Pen and black ink, with brush and black and rose wash over graphite underdrawing

Cleared · Public Domain

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The MetSimilar
Design for Choir Stalls by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for Choir Stalls

Anonymous, French, 18th century (d. 1800)

18th century · Pen and black ink, brush and gray wash, over graphite. Scale in pieds at bottom

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls perspective, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls plan, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Choir stalls profile and elevation, from "Plans, Profils et Elevations des plus belles Chaise de Coeur de Paris" (Plans, Profiles and Elevations of the most beautiful choir stalls in Paris)

Jean II Leblond (d. 1709)

ca. 1688 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for choir screen

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Charcoal, crayon, and graphite on paper mounted on board.

In copyright

live
The MetSimilar

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