Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    308 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    393 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Design for Colossal Triumphal Arch Surmo"12 records

Institutions answered newest-first by record, interleaved

Design for a Triumphal Arch with Three Arches by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Triumphal Arch with Three Arches

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown, brush and brown wash; over ruled stylus lines

Cleared · Public Domain

live
The MetSimilar
Design for a Triumphal Arch in Perspectival Rendering by Anonymous, British, 17th century, The Metropolitan Museum of Art

Design for a Triumphal Arch in Perspectival Rendering

Anonymous, British, 17th century (d. 1700)

ca. 1600–1630 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for a Triumphal Arch by Anonymous, Italian, 16th to 17th century, The Metropolitan Museum of Art

Design for a Triumphal Arch

Anonymous, Italian, 16th to 17th century (d. 1700)

1500–1700 · Pen and brown ink, brush and brown wash, over leadpoint (?)

Cleared · Public Domain

live
The MetSimilar
Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch by Ferdinando Galli Bibiena, The Metropolitan Museum of Art

Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch

Ferdinando Galli Bibiena (d. 1743)

1677–1743 · Pen and brown ink, brush and green and gray wash, over leadpoint with some traces of white gouache

Cleared · Public Domain

live
The MetSimilar
Design for a Triumphal Arch for the Gardens at Château d'Enghien, Belgium by Charles de Wailly, The Metropolitan Museum of Art

Design for a Triumphal Arch for the Gardens at Château d'Enghien, Belgium

Charles de Wailly (d. 1798)

1782 · Pen and ink, partially over charcoal, watercolor

Cleared · Public Domain

live
The MetSimilar
Design for Colossal Triumphal Arch Surmounted by a Quadriga by Jean Charles Delafosse, The Metropolitan Museum of Art

Design for Colossal Triumphal Arch Surmounted by a Quadriga

Jean Charles Delafosse (d. 1789)

18th century · Pen and black ink, brush and gray, blue and brown wash over graphite underdrawing

Cleared · Public Domain

live
The MetSimilar
Two Alternate Designs for Triumphal Arch by Anonymous, French, 18th century, The Metropolitan Museum of Art

Two Alternate Designs for Triumphal Arch

Anonymous, French, 18th century (d. 1800)

18th century · Pen and brown ink; on verso, pen and brown ink.

Cleared · Public Domain

live
The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Design for a Triumphal Arch by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Triumphal Arch

Anonymous, French, 18th century (d. 1800)

late 18th–early 19th century · Pen and black ink, pen and brown ink, graphite.

Cleared · Public Domain

live
The MetSimilar
Design for a Stage Set: Classical Arcaded Gallery with Triumphal Arch Motif by Paolo Landriani, The Metropolitan Museum of Art

Design for a Stage Set: Classical Arcaded Gallery with Triumphal Arch Motif

Paolo Landriani (d. 1839)

1757–1839 · Pen and brown ink, brush and brown and gray wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Design for a Monument (recto) by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for a Monument (recto)

Anonymous, French, 19th century (d. 1900)

19th century · Graphite on laid paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Triumphal Arch with Imagery celebrating Architecture

Anonymous, Central European, 18th century (d. 1800)

ca. 1720–50 · Pen and ink with wash over graphite underdrawing

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.