Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    308 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    439 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Design for Elevation of Gallery Bay, Dee"12 records

Institutions answered newest-first by record, interleaved

Design for a Freestanding Tomb Seen in Elevation and Plan by Antonio da Sangallo, the Younger, The Metropolitan Museum of Art

Design for a Freestanding Tomb Seen in Elevation and Plan

Antonio da Sangallo, the Younger (d. 1546)

1530–35 · Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements

Cleared · Public Domain

live
The MetSimilar
Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV by Toussaint Dubreuil, The Metropolitan Museum of Art

Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV

Toussaint Dubreuil (d. 1602)

ca. 1580–1600 · Pen and brown ink, brush and brown wash, heightened with white, over black chalk

Cleared · Public Domain

live
The MetSimilar
Architectural Design for a Façade by Ferenc (Franz) Speth, The Metropolitan Museum of Art

Architectural Design for a Façade

Ferenc (Franz) Speth (d. 1769)

1739–69 · Watercolor and pen and black ink

Cleared · Public Domain

live
The MetSimilar
Design for a Chimney Piece in the Gallery, now Dining Room, Harewood House, Yorkshire (Elevation) by Robert Adam, The Metropolitan Museum of Art

Design for a Chimney Piece in the Gallery, now Dining Room, Harewood House, Yorkshire (Elevation)

Robert Adam (d. 1792)

ca. 1769 · Pen and ink, brush and ink wash, over graphite

Cleared · Public Domain

live
The MetSimilar
Elevation of Reims Cathedral with the Royal Box for the Coronation of Louis XVIII by Charles Percier, The Metropolitan Museum of Art

Elevation of Reims Cathedral with the Royal Box for the Coronation of Louis XVIII

Charles Percier (d. 1838)

1815 · Pen and black ink, watercolor

Cleared · Public Domain

live
The MetSimilar
Design for Elevation of Gallery Bay, Deepdene, Dorking, Surrey by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for Elevation of Gallery Bay, Deepdene, Dorking, Surrey

Jules-Edmond-Charles Lachaise (d. 1897)

1875–79 · Graphite and gouache

Cleared · Public Domain

live
The MetSimilar
Design for a wall decoration with peacock, cranes, and sunflowers for the restaurant in Hotel Langham (Paris) by Emile Hurtré, The Metropolitan Museum of Art

Design for a wall decoration with peacock, cranes, and sunflowers for the restaurant in Hotel Langham (Paris)

Emile Hurtré

1896–98 · Pen and black, blue, and metallic ink, watercolor, over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wall Elevation with a Fireplace for Hyde Park

Ogden Codman, Jr. (d. 1951)

1898 (?) · Watercolor and graphite, heightened in white

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with a Chimney Piece, Two Painted Panels (Fourth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with a Large Double-Arched Mirror and Sofa (Fifth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with a Large Mirror and Sofa (Fourth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with a Large Painted Panel and a Sofa (Third Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.