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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    232 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    336 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 456 matching records exist across the two collections.

Results for "Design for Elevation of the Duchess of N"12 records

Institutions answered newest-first by record, interleaved

Design for the Elevation and Plan of a Reredos by Anonymous, Italian, North or Central Italy, 16th century, The Metropolitan Museum of Art

Design for the Elevation and Plan of a Reredos

Anonymous, Italian, North or Central Italy, 16th century (d. 1600)

ca. 1570

Cleared · Public Domain

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The MetSimilar
Design in Elevation for the Façade of a Building by Cigoli (Ludovico Cardi), The Metropolitan Museum of Art

Design in Elevation for the Façade of a Building

Cigoli (Ludovico Cardi) (d. 1613)

1590–1610 · Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk

Cleared · Public Domain

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The MetSimilar
Design for a Wall Elevation by Etienne de Lavallée-Poussin, The Metropolitan Museum of Art

Design for a Wall Elevation

Etienne de Lavallée-Poussin (d. 1793)

ca. 1770–80 · Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing

Cleared · Public Domain

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The MetSimilar
Design for the Elevation of a Palace Interior by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Elevation of a Palace Interior

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and gray wash on dark tan paper; ruled and compass construction in pen and gray ink

Cleared · Public Domain

live
The MetSimilar
Design for the Elevation of a Wall Interior by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Elevation of a Wall Interior

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for the Elevation of a Wall Interior by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Elevation of a Wall Interior

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and dark brown ink over leadpoint, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for the Interior Elevation of a Theater by Anonymous, French, 19th century, The Metropolitan Museum of Art

Design for the Interior Elevation of a Theater

Anonymous, French, 19th century (d. 1900)

ca. 1800 · Pen and black ink, watercolor

Cleared · Public Domain

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The MetSimilar
Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope

Jules-Edmond-Charles Lachaise (d. 1897)

1867 · Pen and black ink, gouache, watercolor, and gilt

Cleared · Public Domain

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The MetSimilar
Design for Elevation of the Duchess of Newcastle's Bedroom, Hôtel Hope by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for Elevation of the Duchess of Newcastle's Bedroom, Hôtel Hope

Jules-Edmond-Charles Lachaise (d. 1897)

1867 · Gouache, watercolor, and gilt

Cleared · Public Domain

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The MetSimilar
Elevation Design for Pavillion by Anonymous, German, 19th century, The Metropolitan Museum of Art

Elevation Design for Pavillion

Anonymous, German, 19th century (d. 1899)

19th century · Pen and black ink, watercolor, traces of graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Preliminary Design for The Cloisters - View of the West Elevation

Otto Reinhold Eggers (d. 1964)

1930 · Graphite pencil in various gray tones on mat board

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Unused Tailpiece Design for "The Duchess of Malfi"

Henry Weston Keen (d. 1935)

ca. 1930 · Pen and black ink

In copyright

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The MetSimilar

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