Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
331 ms. The Metropolitan Museum of Art, Collection API (Open Access)
328 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 6,444 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Lyceum Theater, New York
Louis C. Tiffany (d. 1933)
ca. 1885 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York City: Lyceum of Natural History; Specification of a Building for the Lyceum of Natural History in the City of New York
Unrecorded maker
19th century
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Set design for Peer Gynt Suite, Rivoli Theater, New York City, 1923
John Wenger (d. 1976)
1923 · Oil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Set design for Peer Gynt Suite, Rivoli Theater, New York City, 1923
John Wenger (d. 1976)
1923 · Oil
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Buffalo Theater, Buffalo, New York
Louis C. Tiffany (d. 1933)
ca. 1925–26 · Watercolor, gouache, black ink, and graphite on off-white wove paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for portal curtain one for "Oh, Kay", Imperial Theater, New York City, 1926
John Wenger (d. 1976)
1926 · Pen and ink, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Grey Beaded Dress with Web Design for "Manhattan Mary," Majestic Theater, New York
Erté (Romain de Tirtoff) (d. 1990)
1927 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Stage Set, "Petits Secrets Décor" for "Manhattan Mary," Majestic Theater, New York
Erté (Romain de Tirtoff) (d. 1990)
1927 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Stage Set, Penthouse Garden, for "Manhattan Mary," Majestic Theater, New York
Erté (Romain de Tirtoff) (d. 1990)
1927 · Gouache and metallic paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Set design for Gulliver's Travels, Capitol Theater, New York, 1931
John Wenger (d. 1976)
1931 · Tempera
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design Drawing for "TF-360" Theater Lighting Fixture
The Rambusch Decorating Company, New York
ca. 1935 · Graphite with colored pencils and inscisions on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oversized [Paper] Theater or Diorama for the IBM Pavilion ‘Progressland’ at the World’s Fair held in New York in 1964
Charles Eames (d. 1978)
1964 · Wood, metal, paint, printed paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.