Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    459 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    559 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31,981 matching records exist across the two collections.

Results for "Design for One Half of a Lunette with a"12 records

Institutions answered newest-first by record, interleaved

Design for the Decoration of a Lunette with a Large Central Cartouche by Battista Franco, The Metropolitan Museum of Art

Design for the Decoration of a Lunette with a Large Central Cartouche

Battista Franco (d. 1561)

1498–1561 · Pen and brown ink with pale gray washes

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Elevation with Grotesques by Anonymous, Italian, second half of the 16th century, The Metropolitan Museum of Art

Design for a Wall Elevation with Grotesques

Anonymous, Italian, second half of the 16th century (d. 1600)

ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper

Cleared · Public Domain

live
The MetSimilar
Design for a Lunette by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for a Lunette

Anonymous, Italian, 16th century (d. 1600)

16th century · Pen and brown ink, over black chalk, brown wash

Cleared · Public Domain

live
The MetSimilar
Design for One Half of a Ceiling with Elaborate Medaillons and Figures by Donato Giuseppe Frisoni, The Metropolitan Museum of Art

Design for One Half of a Ceiling with Elaborate Medaillons and Figures

Donato Giuseppe Frisoni (d. 1735)

1709–30 · Pen and brown ink over leadpoint or graphite

Cleared · Public Domain

live
The MetSimilar
Design for one Half of a Frame by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for one Half of a Frame

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and black ink over graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for One Half of a Lunette with a Window and Putto at Left by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for One Half of a Lunette with a Window and Putto at Left

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and red wash, over leadpoint or graphite; ruled lines in graphite or leadpoint

Cleared · Public Domain

live
The MetSimilar
One Half Design for a Doorway by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half Design for a Doorway

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush with gray, brown and yellow wash, over ruled and compass construction in graphite or leadpoint

Cleared · Public Domain

live
The MetSimilar
One Half of a Design for a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

18th century · Pen and brown ink, brush and gray wash, over leadpoint or graphite; partial dotted framing outlines

Cleared · Public Domain

live
The MetSimilar
One Half of a Design for a Wall with a Panel or a Mirror by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for a Wall with a Panel or a Mirror

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and black ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for One Half of a Ceiling by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for One Half of a Ceiling

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

18th century · Pen and brown ink, brush and gray wash, over black chalk, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for the decoration of an oval ceiling with putti and garlands; with a detail of a lunette by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for the decoration of an oval ceiling with putti and garlands; with a detail of a lunette

Jules-Edmond-Charles Lachaise (d. 1897)

1830–97 · graphite, watercolor and gold paint on tracing paper; mounted on wove paper

Cleared · Public Domain

live
The MetSimilar
Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin

Jules-Edmond-Charles Lachaise (d. 1897)

second half 19th century · Gouache and oil on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.