
Design for an Altar
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash over black chalk; framing outlines (arched at top) in brown ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
487 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17,656 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for an Altar
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash over black chalk; framing outlines (arched at top) in brown ink
Cleared · Public Domain
live
Left Half of the Design for an Altar
Anonymous, Spanish, 17th century (d. 1700)
ca. 1600–1650 · Pen and dark brown ink, point of brush and brown wash, over black chalk
Cleared · Public Domain
live
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
live
Design for the Left Half of an Altar
Mauro Antonio Tesi (d. 1766)
1750–66 · Pen and deep brown ink, brush and brown wash
Cleared · Public Domain
live
Design for an Altar
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash with watercolor, over leadpoint or graphite, with ruled and compass construction; scale, at bottom, in pen and brown ink
Cleared · Public Domain
live
Design for one half of an Altar with a Pilastered Wall at the Right
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink
Cleared · Public Domain
live
Design for One Half of an Altar, with an Angel (of the Annunciation) at the left
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–80 · Pen and brown ink, over leadpoint
Cleared · Public Domain
live
Design for one Half of an Altar: Elevation and Ground Plan
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, with watercolor, over leadpoint or graphite, with ruled and compass construction (recto); scales, at bottom, in pen and brown ink over graphite (recto); upper part of sheet covered with brown wash (verso)
Cleared · Public Domain
live
Design for One Half of an Overdoor
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Cleared · Public Domain
live
Half design for the decoration of an Altar with Putti
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso)
Cleared · Public Domain
live
Design for an Altar with a Variant
Anonymous, German, 18th century (d. 1800)
18th century · Graphite, pen and black ink, watercolor
Cleared · Public Domain
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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