
Design for One Half of an Ornamental Border
Anonymous, French, School of Fontainebleau, 16th century (d. 1600)
ca. 1540–60 · Pen and brown ink, brush and lavender and brown wash, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
393 ms. The Metropolitan Museum of Art, Collection API (Open Access)
265 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,361 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for One Half of an Ornamental Border
Anonymous, French, School of Fontainebleau, 16th century (d. 1600)
ca. 1540–60 · Pen and brown ink, brush and lavender and brown wash, over black chalk
Cleared · Public Domain
live
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori (d. 1607)
1535–1607 · Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper
Cleared · Public Domain
live
Design for Border with Religious Scenes
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Cleared · Public Domain
live
Ornamental design for liturgical object
Anonymous, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash, heightened with white gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Niello with Ornamental Grotesques
Hans Hensel (d. 1650)
1601 · Etching and blackwork
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a plate with Moresque border
Pierre Firens I (d. 1638)
ca. 1600–38 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a plate with Moresque border
Pierre Firens I (d. 1638)
ca. 1600–38 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornamental design for a Goldsmith with Bacchus
Abraham van den Hecken (d. 1650)
ca. 1599–1634 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornamental design for a Goldsmith with Neptune and Hercules
Abraham van den Hecken (d. 1650)
ca. 1599–1634 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Embroidered Border with a Rose Vine
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Seat, Showing Bench with Ornamental Cartouche and Clawfeet
Parke E. Edwards (d. 1973)
1912 · Graphite and watercolor, colored ink and gouache
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.