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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    393 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12,361 matching records exist across the two collections.

Results for "Design for Ornamental Border with Foliag"12 records

Institutions answered newest-first by record, interleaved

Design for One Half of an Ornamental Border by Anonymous, French, School of Fontainebleau, 16th century, The Metropolitan Museum of Art

Design for One Half of an Ornamental Border

Anonymous, French, School of Fontainebleau, 16th century (d. 1600)

ca. 1540–60 · Pen and brown ink, brush and lavender and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for Ornamental Border with Foliage, Putti and a Lion's Head by Alessandro Allori, The Metropolitan Museum of Art

Design for Ornamental Border with Foliage, Putti and a Lion's Head

Alessandro Allori (d. 1607)

1535–1607 · Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper

Cleared · Public Domain

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The MetSimilar
Design for Border with Religious Scenes by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for Border with Religious Scenes

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?) by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for Two Ornamental Upright Panels, and one Ornamental Basamento (?)

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

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The MetSimilar
Ornamental design for liturgical object by Anonymous, 18th century, The Metropolitan Museum of Art

Ornamental design for liturgical object

Anonymous, 18th century (d. 1800)

18th century · Pen and brown ink, brush and brown wash, heightened with white gouache

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Niello with Ornamental Grotesques

Hans Hensel (d. 1650)

1601 · Etching and blackwork

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a plate with Moresque border

Pierre Firens I (d. 1638)

ca. 1600–38 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a plate with Moresque border

Pierre Firens I (d. 1638)

ca. 1600–38 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental design for a Goldsmith with Bacchus

Abraham van den Hecken (d. 1650)

ca. 1599–1634 · Engraving

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental design for a Goldsmith with Neptune and Hercules

Abraham van den Hecken (d. 1650)

ca. 1599–1634 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Embroidered Border with a Rose Vine

Anonymous, French, 18th century (d. 1800)

ca. 1770–90 · Gouache

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Seat, Showing Bench with Ornamental Cartouche and Clawfeet

Parke E. Edwards (d. 1973)

1912 · Graphite and watercolor, colored ink and gouache

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.